Die Fahrt in den Raum ist ein lauernder Tiger

An manchen Tagen stellt man sich die Frage, warum einen ausgerechnet das Kino verführt hat.

(Eigentlich stellt man sich diese Frage jeden Tag, denn man verliebt sich immer wieder neu)

Ich glaube immer wieder mal, eine Antwort für mich gefunden zu haben. Heute und gestern ist diese Antwort: Die Fahrt in den Raum. Damit meine ich jene Entscheidungen der Kamera, näher zu gehen, etwa zu suchen, einzudringen. Es ist in diesen Bewegungen, in denen die Illusion geboren wird, hier kommt es zur Berührung meiner Augen mit der Leinwand. Es gibt ganz unterschiedliche Ausprägungen einer solchen Fahrt. Es gibt seit jeher den Phantom Ride, jene Methode, in der wir uns mit der Kamera auf einem sich bewegenden Fahrzeug befinden und mit ihr in die Welt, die Welt des Films fahren. Hier versteckt sich die Möglichkeit einer Reise ohne Bewegung, das bewegungslose Driften ist ein Träumen in den Augen des Kinos, ich kann völlig unbeweglich sein, krank und verfault und doch mit der Kamera in die weite Welt hinaus. Es reicht mir manchmal nicht, wenn diese weite Welt durch einen Schnitt plötzlich vor mir liegt. Ich muss den Weg spüren, sehen, hören. Ich habe viel über die Züge und Phantom Rides bei Hou Hsiao-Hsien geschrieben, aber der ultimative Phantom Ride seines Kinos ist gar kein Phantom Ride und findet sich in Goodbye, South Goodbye, eine lange Motorradfahrt auf einer schmalen Bergstraße. Es ist deshalb ein so gelungener Phantom Ride, weil er sich selbst in seiner Bewegung verliert. Bei einem solchen Phantom Ride geht es nicht um das Ziel der Bewegung, die Bewegung selbst ist das Ziel. Bei besseren Griffith Filmen wie Way Down East verlegt sich diese Bewegung sogar in die Montage, die wie Eisschollen durch die Filme treiben. Ist es also die Bewegung durch den Raum, die mich verführt?

Oder ist es vielmehr die Zeit, die in diesen Raum geschrieben wird? Filmemacher wie Belá Tarr oder Jia Zhang-ke arbeiten beständig mit dieser Verzeitlichung der Bilder. Bei ihnen bedeutet eine Fahrt in den Raum auch nicht zwangsläufig eine Fahrt nach vorne. Sie kann seitlich verlaufen wie zu Beginn von Sátántangó, sie kann sich diagonal-schwenkend vorwärtsbewegen wie häufig in Still Life. In diesen Kamerabewegungen sammeln sich die Geschichte, die Politik und die Poetik der Figuren und ihrer Umgebungen. Vor allem sind es wohl die Erinnerungen. Es gibt aber eine ganz andere Frage an solche Bewegungen, die man mit der berühmten vorletzten Einstellung in Michelangelos Antonionis Professione: reporter diskutieren kann. In der Szene dreht sich die Kamera durch ein Gitter hindurch um 360 Grad und lässt wichtige Handlungen Off-Screen passieren, obwohl man sich fragen kann, ob das entscheidende Element der Szene nicht die Bewegung der Kamera selbst ist. Die Frage lautet, ob solche Kamerabewegungen ein distanziertes Schauen des Filmemachers bedeuten, in dem die autonome Kamera sozusagen die Freiheit der Auswahl des Blicks beleuchtet oder ob wir in diesen Bewegungen die Bewegung der Seele des und der Protagonisten nachempfinden, eine Zustandsbeschreibung, die eben mit Filmemacher wie Tarr an der Zeit hängt, bei anderen an der Sinnlichkeit, spirituellen Erhebungen, Erotik und Lust oder doch dem kinematographischen Selbstzweck, einer Masturbation der Bewegung (wie bei Hou Hsiao-Hsien, obwohl dieser auch gerne mit der Geschichtlichkeit arbeitet). Die fließende Kamera ist also ein Ausdruck innerer Zustände und der Macht der Sichtbarmachung zugleich. Sie vermag eine Erfahrung der Gefühle zu geben (das gilt immer wieder auch für Statik) und gleichzeitig hinter den fragilen Schleier blicken, der diese Gefühle verbirgt.

Der Schuss danach: Professione: reporter

Der Schuss danach: Professione: reporter

Einzig der nervöse Zustand scheint mir in der Montage besser aufgehoben, aber ein Schnitt nimmt ihm auch das Erdrückende der Zeit. Das Fiebrige, Nervöse, Panische zeichnet sich weniger dadurch aus, dass man die Zeit verliert wie in den schnellen Schnitten, die manche Filmemacher dafür verwenden, sondern gerade dadurch, dass die Zeit nicht aufhört, nicht unterbrochen wird, sich nicht verändern lässt. Das Fließende müsste also verstört werden. Hier kann der Ton eine enorme Rolle spielen, denn auch er bewegt sich durch die Zeit und den Raum. Carl Theodor Dreyer hat mal geäußert, dass ein Verständnis für die Existenz von Tönen, die immer existieren auch in dramatischen Szenen wichtig wäre. Es geht also darum, dass man das Flugzeug am Himmel auch hört, wenn man stirbt, es geht um eine Unaufhaltsamkeit der Welt und eine individuelle Nichtigkeit im Strom der Zeit. Töne dringen beständig in die Räume ein und das Kino tut gut daran, das zu dokumentieren statt – wie so oft im industriellen Kino – das Drama zu isolieren.
Die Gleichzeitigkeit der Dinge wie sie auch in einer statischen Einstellung, die sich durch den Raum bewegt, findet, nämlich jener Tischszene in Cristian Mungius 4 luni, 3 săptămâni și 2 zile ist entscheidend für die Wahrnehmung des Kinos. Hände und Stimmen greifen in den Kader, sie oszillieren zwischen On- und Off-Screen, unser Blick wird gelenkt, aber er wird mitten im Chaos gelenkt. Es geht hier um die Kontrolle des unkontrollierbaren Lebens. Dieses Gefühl erweckt sich bei mir nur, wenn das Leben auch dort ist, das Leben auf Film. Erst dann machen Dinge wie Framing, Sound-Design oder Lichtsetzung Sinn. Es geht nicht darum, einen Dialog oder ein Gesicht aus dem Film zu nehmen und es nach vorne zu holen, sodass wir es alle sehen können, es geht darum das Gesicht oder den Dialog im Film so zu inszenieren, dass wir sowieso dort hinsehen, auch wenn wir in jeder anderen Ecke auch etwas spannendes sehen würden. Ähnlich verhält es sich in der Malerei, nur dass es im Film die Macht der Bewegung gibt.

Die Zufahrten in There Will Be Blood von Paul Thomas Anderson (wie in jedem seiner Filme) sind pures Kino. Sie existieren exakt zwischen der absoluten Kontrolle eines Filmemachers im Stil eines Stanley Kubricks und der völligen Offenheit der Welt. In diesen Fahrten in den Raum offenbaren sich die Sicherheit eines manisch ausgelöschten Zweifels (Kubrick) und die Essenz dieses Zweifels selbst (Tarkowski). Anderson zelebriert den Rausch der Bewegung, um im Gesicht einer Emotion zu landen. Aber auch die Fahrt selbst berührt schon die Wahrheit und die Hintergründe dieser Emotion. Was hier etwas abgehoben klingt, soll eigentlich nur heißen: Eine Kamerafahrt auf ein Objekt zu, erzählt immer zur gleichen Zeit, von dem, was es filmt und von der Fahrt selbst. Was bedeuten diese Fahrten? Sind sie der neugierige Blick, der schweifende Blick, der suchende Blick, der täuschende Blick, sind sie ein Blick? Oder sind sie tatsächlich eine Penetration, eine Aggressivität, ein Tabu wie Jacques Rivette das über Gillo Pontecorvo geschrieben hat. Es ist mit Sicherheit so, dass man nicht immer auf etwas zufahren sollte, oder? Man muss vorsichtig sein. Für das rustikale Sehen schienen mir immer Schnitt oder Zoom geeigneter. Eine Zufahrt ist etwas zerbrechliches, sie ist wie das erste Wort an eine schöne Frau, der erste Kuss, die Zehenspitzen im kühlen Wasser nach einem langen Winter. Genau darin liegt ihre Schönheit. Sie kann zugleich vom Zögern und der Vorsicht des Kinos erzählen als auch von der Überzeugung und dem Mut. Wenn ein Filmemacher Fahrten ganz bewusst und nicht andauernd einsetzt wie beispielsweise Manoel de Oliveira oder Apichatpong Weerasethakul (unterdrückte Gefühle als perfektes Interesse für eine Kamerafahrt, die zugleich entblößt und bekleidet?), dann wirkt der Einsatz dieser Stilistik wie der mutige Schritt in ein neues Leben oder ein erster Atemzug nach einer Dürre. Einen ähnlichen Effekt erzielen Filmemacher immer wieder mit Musik, die erst spät im Film einsetzt. Beispiele hierfür wären Jauja von Lisandro Alonso und El cant dels ocells von Albert Serra. Die Kamerafahrt in den Raum ist wie ein lauernder Tiger. (wenn sie richtig eingesetzt wird: bewusst, behutsam, zärtlich, gewaltvoll).

Den Raum für die Fahrt finden: There Will Be Blood

Den Raum für die Fahrt finden: There Will Be Blood

Die erste Einstellung in Man Hunt von Fritz Lang, mehr eine Kranfahrt denn eine Zufahrt und doch beides zugleich: Eine Aufblende und ein Titel: „Somewhere in Germany- shortly before the War“ und schon bewegen wir uns durch ein für Deutschland eher untypisches Gestrüpp, ganz so als wären wir in The Thin Red Line von Terrence Malick, Gräser fassen in unser Augen, sie neigen sich im Wind der sich bewegenden Kamera. Nebel steigt auf vom Boden, die Mitte des Bildes ist erwartungsvoll leer, eine unerträgliche Spannung und Konzentration liegt in den Sekunden. Sonnenlicht drückt durch den dicken Wald und Nebel, die Kamera richtet sich langsam auf den Boden, als würde sie Spuren suchen. (eine ähnliche Einstellung zu Beginn eines Films findet sich in The Big Lebowski von den Coen-Brüdern). Eine fließende Blende und nun entdecken wir tatsächlich eine Spur auf dem Boden, eine menschliche Fußspur auf sandigem Untergrund. Die Kamera bewegt sich kontinuierlich in der gleichen Geschwindigkeit weiter und eine weitere fließende Blende bringt uns zum Held des Films, einem Jäger im Wald, einem lauernden Tiger (wir denken an Tropical Malady von Apichatpong Weerasethakul, aber trauen uns nicht zu sprechen, ob der greifbaren Spannung, die uns auch an die Fahrt des Bootes in das Lager von Brando in Apocalypse Now denken lässt mit Trommeln aus der Ferne und einem Tiger im Film). Die Kamera und der Jäger verharren, sie blicken sich um, ein leichter Schwenk. Ein Geräusch. Der Jäger weicht zurück und hält sich an einem Baum fest. Die Kamera schwenkt leicht nach unten. Sie hat ihre Beute, den Helden längst im Visier, sie ist im Vorteil. An dieser Stelle schneidet Lang zum ersten Mal in einen POV seiner Hauptfigur, also just an der Stelle, an der er diese gefunden hat. Erst die Kontroller durch die Fahrt hat den Weg frei gemacht für eine bewusst-klassische Montage. Wie der Jäger selbst hat sich die Kamera durch den Wald herangepirscht. Viele Filme beginnen bei der Jagd, viele Filme beginnen mit einer Fahrt.

Man Hunt von Fritz Lang

Man Hunt von Fritz Lang

Die besten Filme finden ihre Beute nie. Sie streifen umher, lösen sich wieder, sehen etwas, sehen nichts, wollen etwas sehen, sie sind zu weit weg, zu nah, sie haben eine richtige Position, sie warten, sie suchen, sie schlafen, sie bewegen sich und bewegen sich und bewegen sich und irgendwann schießen sie uns direkt ins Herz.

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  73. The Zune concentrates upon currently being a Moveable Media Player. Not a website browser. Not a activity machine. Probably inside the upcoming it’s going to do even far better within these areas, but for now it truly is a excellent direction towards set up and hear toward your tunes and videos, and is with out peer inside of that respect. The iPod’s strengths are its internet going to and apps. If all those sound excess powerful, potentially it is your suitable determination.

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  81. This is getting to be a bit much more subjective, yet I considerably like the Zune Marketplace. The interface is colourful, incorporates a lot more aptitude, and some neat options like ‚Mixview‘ that allow oneself abruptly look at identical albums, songs, or other users similar to what you are listening in direction of. Clicking on just one of individuals will heart on that product, and an additional set of „neighbors“ will occur into look at, permitting oneself towards navigate around investigating by means of related artists, tunes, or people. Conversing of buyers, the Zune „Social“ is also fantastic pleasurable, letting on your own discover others with shared preferences and getting good friends with them. Oneself then can hear towards a playlist manufactured centered on an amalgamation of what all your mates are listening toward, which is as well fascinating. These concerned with privacy will be relieved towards know on your own can protect against the general public versus looking at your individual listening routines if your self consequently choose.

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  90. If you might be continue to on the fence: seize your favored earphones, mind down in direction of a Simplest Invest in and ask towards plug them into a Zune then an iPod and watch which just one sounds better in the direction of your self, and which interface results in you smile a lot more. Then you are going to recognize which is immediately for on your own.

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  92. Wonderful site you have here but I was wondering if you knew of any user discussion forums that cover the same topics discussed here? I’d really like to be a part of online community where I can get comments from other knowledgeable people that share the same interest. If you have any suggestions, please let me know. Appreciate it!

  93. Apple at present has Rhapsody as an application, which is a superb start, nonetheless it is previously hampered by way of the lack of ability in direction of retail outlet domestically on your iPod, and consists of a dismal 64kbps little bit price. If this adjustments, then it will fairly negate this advantage for the Zune, nonetheless the Ten audio for each thirty day period will nonetheless be a massive furthermore in just Zune Pass‘ like.

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  96. If you might be nevertheless on the fence: get your favored earphones, head down towards a Least difficult Buy and ask in the direction of plug them into a Zune then an iPod and see which a person appears much better towards oneself, and which interface will make your self smile much more. Then you’ll notice which is specifically for on your own.

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  101. Sorry for the substantial study, nonetheless I’m very loving the fresh Zune, and expect this, as well as the very good critiques some other Those people consist of published, will assistance yourself come to a decision if it truly is the directly choice for by yourself.

  102. Sorry for the huge evaluate, still I’m really loving the fresh new Zune, and count on this, as nicely as the very good testimonials some other men and women have published, will assistance yourself come to a decision if it’s the immediately preference for by yourself.

  103. JCP

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  104. Zune and iPod: Utmost human beings review the Zune in the direction of the Touch, nevertheless when seeing how slender and remarkably very little and gentle it is, I try out it in the direction of be a as a substitute special hybrid that brings together features of either the Contact and the Nano. It truly is Quite vibrant and magnificent OLED display screen is somewhat lesser than the contact screen, yet the participant by itself feels rather a bit more compact and lighter. It weighs over 2/3 as much, and is noticeably more compact inside width and peak, while currently being particularly a hair thicker.

  105. Sorry for the large overview, still I am truly loving the fresh Zune, and anticipate this, as perfectly as the perfect reviews some other persons have created, will support by yourself make your mind up if it truly is the specifically choice for on your own.

  106. Zune and iPod: Most people today evaluate the Zune toward the Touch, still once seeing how slender and remarkably minimal and gentle it is, I get it to be a quite unique hybrid that combines qualities of either the Touch and the Nano. It truly is rather colourful and beautiful OLED display is slightly lesser than the touch screen, yet the participant by itself feels reasonably a little bit smaller sized and lighter. It weighs pertaining to 2/3 as significantly, and is drastically smaller sized within width and top, whilst getting exactly a hair thicker.

  107. Attractive section of content. I just stumbled upon your weblog and in accession capital to assert that I acquire in fact enjoyed account your blog posts. Anyway I will be subscribing to your augment and even I achievement you access consistently quickly.

  108. The refreshing Zune browser is remarkably optimistic, nonetheless not as good as the iPod’s. It operates perfectly, yet isn’t really as immediate as Safari, and incorporates a clunkier interface. If yourself from time to time application on getting the web browser that’s not an issue, but if you are coming up with in the direction of examine the internet alot towards your PMP then the iPod’s much larger display and much better browser may possibly be sizeable.

  109. Hi are using WordPress for your site platform? I’m new to the blog world but I’m trying to get started and create my own. Do you require any coding expertise to make your own blog? Any help would be greatly appreciated!

  110. The very heart of your writing whilst appearing reasonable in the beginning, did not really work perfectly with me after some time. Someplace within the sentences you actually were able to make me a believer but only for a very short while. I still have got a problem with your leaps in assumptions and one would do nicely to help fill in all those gaps. In the event that you actually can accomplish that, I would definitely be fascinated.

  111. Sorry for the huge study, yet I am Pretty loving the fresh Zune, and assume this, as nicely as the superior critiques some other Those people have created, will support oneself make a decision if it’s the straight choice for yourself.

  112. Wow that was unusual. I just wrote an very long comment but after I clicked submit my comment didn’t appear. Grrrr… well I’m not writing all that over again. Anyhow, just wanted to say wonderful blog!

  113. If you are however upon the fence: seize your favourite earphones, brain down towards a Most straightforward Purchase and check with to plug them into a Zune then an iPod and perspective which just one appears better in direction of by yourself, and which interface helps make your self smile much more. Then you can notice which is straight for yourself.

  114. Nice post. I used to be checking constantly this blog and I am impressed! Extremely helpful information specifically the closing section 🙂 I take care of such info much. I was seeking this certain info for a very long time. Thanks and best of luck.

  115. Palms down, Apple’s application retail store wins by way of a mile. It can be a large conclusion of all forms of purposes vs a as a substitute not happy variety of a handful for Zune. Microsoft incorporates systems, specially in just the realm of games, however I am not confident I’d require toward guess upon the upcoming if this attribute is considerable toward your self. The iPod is a substantially better option within just that case.

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