Viennale Notiz: Retrospektiv

„If Einstein taught us that light falls like any other body, Bazin taught us that light leaves a track like any other body, an imprint the camera makes into an image. But the camera is not the only machine that makes the film image. The projector, the magic lantern, animates the track of light with its own light, brings the imprint of life to new life on the screen.“  (Gilberto Perez)

„The moviegoer watches the images on the screen in a dreamlike state. So he can be supposed to apprehend physical reality in its concreteness“ (Siegfried Kracauer)

Jacques Rivette auf 35mm: L‘amour fou, einer von zwei Filmen von Rivette, in denen man das Geräusch von Kratzen hören kann wie eine Narbe in der Seele. Es ist beinahe Nacht. Niemand bemerkt es. Eine junge Frau spricht uns im Foyer an. Sie wäre nicht bereit für vier Stunden heute, ob wir ihre Karten wollten. Ein Freund, der beinahe nicht gekommen wäre, sagt: Warum hast du mir nicht gesagt, dass das so selten ist? Diesen Film auf 35mm. Die Kopie ist in schlechtem Zustand. Jedes Licht, dass zwischen den 16mm und 35mm Aufnahmen auf die Leinwand geworfen wird, wirkt wie das letzte einer sterbenden Liebe, einer kämpfenden Liebe, jeder Liebe, keiner Liebe, dieser Liebe. Die Geschichte dieser Kopie trägt sich mit in den Film. Als wären wir die letzten, die diese Kopien sehen könnten. Als würden wir die Erinnerungen behalten müssen, an etwas, das es nicht mehr geben wird.

l-amour-fou_5507277

Es fällt auf. Wir – ich glaube es sind „wir“ als eine Gruppe von Menschen, die noch wirklich nach dem Kino sucht, aber ich weiß, dass das falsch verstanden werden kann – gehen oft lieber in Retrospektiven als in „neue Filme“. Wir suchen nach den raren Screenings, die noch auf Film gezeigt werden. Wir sind dort. Von Rivette werden nur L‘amour fou und Hurlevent nicht digital gezeigt auf der diesjährigen Viennale. Wir müssen das wohl akzeptieren (Analogue Pleasures are not supposed to be something special).

Wir gehen nicht aus Purismus vermehrt in diese Vorstellungen. Wir gehen auch in DCP-Screenings, wenn uns die Filme interessieren, wir können diese Filme ebenso genießen. Aber vermehrt finden wir uns in Retrospektiven. Warum? Zum einen vielleicht, weil diese Filme seltener sind, weil sie dadurch frischer sind, weil es uns so vorkommt, als wäre es die einzige, die letzte Chance. Es gibt sicherlich etwas auratisches an dieser Erfahrung. Wir haben das Gefühl, dass die Filme mit uns wirklich da sind, dass wir mit diesen Filmen da sind. Sie sind zu uns gekommen, wir zu ihnen. Es werden einmalige Dinge passieren bei jedem dieser Screenings. Playtime von Jacques Tati wird in der Kopie von 1967 gezeigt. Eine sehr rotstichige faded 70mm-Kopie, in der dreimal so viele Filme zu erkennen sind, wie in allen digitalen Kopien, die ich von diesem Film bislang gesehen habe. Als würde man denken, dass man weiß, wer Tati ist und ihn dann in den Ecken der Bilder anders, schärfer, virtuoser sehen. Weil man sein Medium unterschätzte.

Ich glaube wir gehen auch in diese Screenings, weil wir den Mumien der Leinwand gerne beim Sterben zusehen. Dem Kino, was wir noch gerade so erahnten, als es begann zu sterben. Der Übergang, den wir nicht wahrhaben wollen. Etwas, das wir noch verstehen, erfahren wollen bevor es zu spät ist. Etwas, dass wir erhalten müssen. Wie das Kind am Bett des sterbenden, flüsternden Vaters. Wir verstehen nicht mehr alles, aber hören genau zu. Was machen wir mit dem, was uns diese Erfahrungen sagen?

lamour-fou

Wir sehen etwas zwischen den Bildern, weil es nur analog wirklich etwas zwischen den Bildern gibt. Und dieses Medium in seiner inhärenten Fragmentierung, seiner Magie der Dazwischenheit spricht intuitiv sehr viel stärker mit den Erfahrungen, die wir im Alltag machen. Denn das Digitale ist zwar in unserem Alltag dominant, aber in seinem Treffen auf der physische Realität, in dieser Kombination aus dem Digitalen und dem Physischen ist der große Platz für das Kino. Dieser Idee, von Dingen aus Licht, die uns bewegen, die sich bewegen. Es ist so, dass diese Filme mehr mit unserer Welt sprechen als diese Files. Vielleicht auch, weil sie Filme noch immer eine Antwort sind auf die Welt statt einer Konsequenz aus dieser Welt. In ihnen steckt bereits der Widerstand, den wir suchen, wogegen die DCPs kaum Widerstand kennen.

Es bricht auseinander, denn wenn eine junge Generation von Cinephilen sich schwer tut, den Wechsel der Sprache zu umarmen, dann bleibt nur das Bedauern. Wird sich daraus eine Filmkultur entwickeln, eine Filmästhetik? Das Bedauern ist nicht unser Antrieb, nein. Wir glauben ja an manches im neuen Kino. Die Viennale zeigt auch dieses Jahr, dass unglaubliche, wunderbare Dinge möglich sind von Sergei Loznitsa, Wang Bing über Cristi Puiu hin zu Damien Manivel. Es gibt sowieso keine Vergangenheit eines Kinos, das gezeigt wird.

L‘amour fou ist zusammen mit Pont du Nord der modernste Film des Festivals. Filme, die von unserer Erfahrung sprechen, unserer Art zu leben, zu fühlen und zu imaginieren. Filme, in denen es um Überwachung geht. Um Paranoia, um unsichtbare Schmerzen, um Ängste. Filme, in denen es um eine digitale Welt geht. Vielleicht ist es naiv zu glauben, dass sich so vieles verändert hat in den letzten 50 Jahren. Vielleicht ist die technologische Entwicklung deutlich schneller als jene der Emotionen. Das würde erklären, warum das Kino, in dessen Motor immer die Emotion und die Technik arbeiteten so auseinander bricht.  Dieses Gefühl eines Brechens entsteht auch deshalb, weil wir allein sind. Ein großer Teil von kinobegeisterten Menschen jagt letztlich hauptsächlich das Neue. Als wäre das Kino Apple und würde regelmäßig neue Produkte präsentieren. Interessant ist es doch eigentlich im Dialog zwischen heute und gestern, dem Kino und mir. Die Viennale bietet diesen Dialog sehr bewusst an. 

amor-loco

Es ist vielleicht auch ein Teil unserer Faszination mit dem Kino, das Vergangene zu sehen. Jeder Film ist vergangen und gegenwärtig zugleich, aber wenn sich etwas vor uns bewegt, was vor 100 Jahren aufgezeichnet wurde, dann spürt man die Magie um so stärker.

Also schreiben wir auf, was wir dort sehen in dieser Fremdheit eines Mediums, das als ganzes faded – nicht nur in einzelnen Kopien. Dessen analoge Existenz längst zum cinephilen Event wird. Die Chance, die darin liegt, ist die fehlende Selbstverständlichkeit. Kino ist nicht mehr selbstverständlich. So entsteht wieder ein Staunen vor dem Licht, eine Ehrfurcht, ein Respekt, der niemals wirklich der Respekt vor einem Sterbenden sein kann, weil dieses Medium selbst im Totenbett aus Licht besteht und vor uns, mit uns tanzt. Es erzählt die traurigste Geschichte der Menschheit: Jene des Vergessens, jene der Erinnerung, der lebenden Toten, der sterbenden Lebenden. Ein Kratzen auf einem Streifen, der in unserer Welt existiert.

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  69. Zune and iPod: Utmost human beings look at the Zune to the Contact, but as soon as seeing how slim and remarkably minimal and light it is, I try out it to be a quite distinctive hybrid that combines properties of either the Touch and the Nano. It is really exceptionally colourful and lovely OLED show is slightly lesser than the contact screen, but the player alone feels reasonably a little bit smaller and lighter. It weighs above 2/3 as a lot, and is significantly more compact in just width and top, even though staying simply just a hair thicker.

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  72. I wish to express my respect for your generosity in support of men who actually need help with that field. Your very own dedication to passing the solution all through appeared to be extremely beneficial and has without exception permitted workers much like me to realize their targets. The insightful information signifies this much to me and a whole lot more to my mates. Thanks a ton; from all of us.

  73. Somebody essentially assist to make critically articles I might state. This is the very first time I frequented your web page and up to now? I amazed with the analysis you made to create this actual put up amazing. Excellent task!

  74. Sorry for the massive examine, still I am truly loving the refreshing Zune, and assume this, as perfectly as the excellent assessments some other americans have created, will assist oneself come to a decision if it is the specifically option for by yourself.

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  77. This is starting to be a bit additional subjective, nonetheless I considerably want the Zune Current market. The interface is vibrant, incorporates excess aptitude, and some awesome options together with ‚Mixview‘ that allow oneself instantly view similar albums, music, or other people related in direction of what you’re listening in direction of. Clicking on a person of these will center on that solution, and a different set of „neighbors“ will arrive into see, letting oneself towards navigate in excess of exploring via comparable artists, tunes, or consumers. Talking of buyers, the Zune „Social“ is additionally outstanding entertaining, permitting you discover some others with shared preferences and becoming close friends with them. Oneself then can pay attention to a playlist made primarily based on an amalgamation of what all your buddies are listening in direction of, which is way too exciting. These nervous with privateness will be relieved toward know oneself can stay away from the general public in opposition to looking at your unique listening habits if your self consequently choose.

  78. It’s actually a nice and helpful piece of info. I am glad that you shared this useful information with us. Please keep us up to date like this. Thanks for sharing.

  79. I have read several just right stuff here. Definitely value bookmarking for revisiting. I wonder how much attempt you put to create one of these magnificent informative web site.

  80. In between me and my partner we’ve owned further MP3 gamers earlier mentioned the several years than I can depend, such as Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, and many others. But, the previous few many years I’ve fixed down towards one line of gamers. Why? For the reason that I was delighted towards explore how well-designed and entertaining in direction of seek the services of the underappreciated (and broadly mocked) Zunes are.

  81. Thanks a lot for giving everyone an extremely memorable chance to read articles and blog posts from here. It is often so awesome and as well , packed with fun for me and my office friends to visit your website at the least 3 times weekly to find out the newest secrets you have got. And indeed, I am also always amazed with the powerful ideas served by you. Some 4 facts in this post are absolutely the most beneficial I’ve had.

  82. You really make it seem so easy with your presentation but I find this matter to be really something which I think I would never understand. It seems too complex and very broad for me. I am looking forward for your next post, I’ll try to get the hang of it!

  83. Thanks for discussing your ideas. One thing is that students have an option between national student loan and also a private student loan where it’s easier to go for student loan online debt consolidation than in the federal student loan.

  84. Sorry for the huge research, but I’m truly loving the fresh new Zune, and assume this, as nicely as the good quality critiques some other men and women contain written, will assistance your self decide if it really is the instantly choice for by yourself.

  85. Palms down, Apple’s application keep wins as a result of a mile. It is a substantial option of all styles of programs vs a rather unsatisfied preference of a handful for Zune. Microsoft includes Strategies, especially in the realm of online games, still I am not indeed I would have to have toward wager on the long run if this attribute is crucial in the direction of you. The iPod is a significantly much better final decision in that situation.

  86. I’m impressed, I have to say. Really not often do I encounter a blog that’s each educative and entertaining, and let me let you know, you’ve hit the nail on the head. Your idea is outstanding; the problem is something that not enough persons are talking intelligently about. I am very glad that I stumbled across this in my seek for one thing relating to this.

  87. This is starting to be a little bit further more subjective, yet I a great deal favor the Zune Marketplace. The interface is colourful, is made up of a lot more aptitude, and some awesome features together with ‚Mixview‘ that permit yourself abruptly see comparable albums, music, or other consumers equivalent toward what you’re listening in direction of. Clicking upon 1 of those will center upon that solution, and one more fastened of „neighbors“ will come into opinion, enabling on your own in direction of navigate near researching through identical artists, music, or buyers. Speaking of buyers, the Zune „Social“ is much too fantastic entertaining, permitting oneself find some others with shared tastes and turning out to be friends with them. Your self then can pay attention to a playlist manufactured primarily based on an amalgamation of what all your good friends are listening in direction of, which is additionally exciting. All those anxious with privacy will be relieved in the direction of realize your self can stay away from the public from looking at your person listening patterns if your self hence consider.

  88. Whats Happening i’m new to this, I stumbled upon this I’ve found It absolutely useful and it has helped me out loads. I hope to contribute & help different customers like its aided me. Great job.

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