Touch the Invisible Truth: Où gît votre sourire enfoui?/Sicilia!

Ein programmtechnischer Glücksfall wollte es, dass ich sehr kurz nach einem Screening von Pedro Costas Où gît votre sourire enfoui? in den Genuss von Jean-Marie Straubs und Danièle Huillets Sicilia! kam. Der Film über die Heimkehr eines Auswanderers nach Sizilien wurde in Wien im neu-eröffneten Metrokino anlässlich der Peter Handke geht ins Kino-Schau gezeigt. Basierend auf Elio Vittorinis „Conversazione in Sicilia“ entfalten die Straubs einige dialoglastige Vignetten voller Witz, Philosophie und Würde. In seiner Dokumentation, die zunächst im Rahmen der Serie Cinéastes de notre temps entstanden ist, begleitet Costa das Filmemacherpaar im Schnitt von Sicilia! Den Film nach der Arbeit daran zu sehen, war ein besonderes Vergnügen. Die Sätze über die Straub-Huillet fühlbare Stunden grübelten, fliegen wie ein Echo an einem vorbei, wenn man das Endprodukt sieht. Aber vielleicht ist Echo allgemein ein guter Begriff, um zu beschreiben was diese beiden Filme miteinander machen.

Sicilia! von Jean-Marie Straub und Danièle Huillet

Womöglich muss man an einer anderen Stelle beginnen: William Lubtchansky, seines Zeichens häufig Kameramann bei Jacques Rivette und damit auch Bildermaler im unglaublichen La belle noiseuse. Er führte die Kamera bei Straub-Huillet: Blitzweiße Wände, in schwarzen Stufen davor die Menschen, wir studieren ihre Gesichter. Schon die erste Einstellung ist von einer solchen kontrastreichen Notwendigkeit, dass man seine Augen nicht abwenden könnte. Ein Mann sitzt mit seinem Rücken zu uns am Ufer. Diese Einstellung sieht man auch in Où gît votre sourire enfoui?. Gewissermaßen brennen sich die Bilder in das Gedächtnis. Jeder, der schon einen Film geschnitten hat, kennt die unterschiedlichen Erfahrungsebenen, die man mit den Bildern hat: Man lernt sie kennen, man vergisst sie, man lernt sie neu kennen, man lernt sie besser kennen, man kann sie nicht mehr sehen, man wird von ihnen überrascht, man versteht sie nicht, man lernt sie kennen, man vergisst sie, man glaubt ihnen nicht mehr, man lernt sie neu kennen bis man sie ignoriert oder stirbt. Der Film, also jener der Straubs folgt einem Rhythmus. Jenem seiner Montage und seiner Sprache. Mit Costas Film im Kopf kennt man die eigenwilligen und in sich bewegenden Regeln, denen Straub-Huillet im Schnitt folgten. Der Schnitt erfolgt wegen eines Echos im Dialog oder wegen dem Geräusch eines Vogels. Wer schneidet sonst deshalb? Manchmal wird der Ton aussetzen, eigentlich wird fast immer geschrien. In einem bemerkenswerten stilistischen Kniff werden die Figuren am Ende ihrer langen Dialogpassagen manchmal einfrieren. Es ist wie bei Brecht oder wie in den Fassbinder-Posen. Die Kamera liest dann auf ihren Gesichtern. Das Unterfangen ist von einer bewegenden Künstlichkeit beseelt. Diese Künstlichkeit ist bewegend, weil sie der Armut im Film eine noble Stimme gibt, weil sie die Poesie des Hungers malt. Der einzige Filmemacher, der sonst derart gekonnt das Notwendige, das Existentielle und das Schöne verbindet, ist Pedro Costa. Die dezentrierten und von jeglichem Schnickschnack befreiten Einstellungen von Menschen vor Wänden hat er vor allem in Juventude em Marcha erforscht. Man denke an den hilflosen Ventura in der neuen Wohnung. Man denke an diese seitlichen Nahaufnahmen, in denen die Figuren mehr auf der rechten Seite stehen und somit mehr mit dem Offscreen als dem sichtbaren Bild verbunden sind. Lubtchansky lässt die Schatten mitsprechen, Costa auch. Die Wahrheit wird in diesem Unsichtbaren gesucht. In Où gît votre sourire enfoui? gibt es diese Schatten. Es ist vor allem der Schatten der nüchternen Danièle, die stur ihre Arbeit erledigt und Straub beschimpft, wenn er seinen Mund nicht halten kann. Costa hat gesagt, dass dieser Film ein Liebesfilm und eine Komödie ist. Das bringt einen zu Chaplin, ein Mann, der ebenfalls das Arme mit dem Würdevollen, das Licht mit dem Schatten verband. Straub redet und bewegt sich tatsächlich ähnlich wie die Figuren in Siciia! Er steht auf und hält Monologe, spricht laut, verschwindet aus dem Bild und kehrt zurück.

Jean-Marie Straub bei Pedro Costa

Wie La belle noiseuse ist auch Où gît votre sourire enfoui? ein Film über Arbeit. Sicilia! Dagegen ist ein Film über die Spuren der Arbeit. Aber das sind die anderen beiden auch. Man könnte sagen, dass Huillet bei Costa für die Arbeit steht und Straub für die Spuren der Arbeit. Sie bedingen sich gegenseitig. Arbeit ist für Costa genauso wichtig wie Blinzeln. Ein Blinzeln mag ein Lächeln sein. Straub-Huillet suchen nach einem solchen unsichtbaren Lächeln, einer kleinen Regung, dem Unkontrollierbaren. Hier wird die Kunst des Filmemachens und insbesondere die Konstruktion einer Montage als Prozess aufgefasst, als Arbeit. So wie in La belle noiseuse immer wieder neu begonnen wird, immer wieder radiert wird, immer wieder aufgegeben und angefangen wird so wird für Sicilia! auch geschnitten. Ganz Ähnliches interessierte Costa auch in seinem Wunder Ne change rien, indem er die Sängerin/Schauspielerin Jeanne Balibar in ihrem Arbeitsprozessen begleitet, im Schatten, vor Wänden, hartes Licht der Einsamkeit und Würde. Costa und Straub-Huillet sind Rockstars, nur falls es daran Zweifel geben sollte. Ihre Wiederholungen und ihre Konsequenz, ihre Persönlichkeiten und ihre Kunst ergeben ein Gesamtbild das in den Prozess, in die Arbeit fließt. Damit erinnern sie allesamt an einen anderen Prozess-Film, nämlich Jean-Luc Godards One Plus One, indem Godard in einem Strang die Rolling Stones bei Probeaufnahmen beobachtet.

Costa sucht nicht nur nach dem Lächeln in einem gesonderten Moment. Er sucht nach der Bedeutung der Zeit für dieses Lächeln, er sucht nach diesem Lächeln in der Zeit. Der Schnitt bei Straub-Huillet wird dann kommen, wenn die Zeit reif ist. Das Lächeln kann auch existieren, wenn es versteckt ist, weil die Zeit es entblößt. Ein Funkeln in den Augen, das nicht in einem einzelnen Frame erkennbar ist. Einige Male wiederholt sich ein totaler Schwenk in Sicilia!. Er betrachtet eine felsige Landschaft, ein Dorf am Horizont und schließlich einen verlassenen Weg mit einem Busch. Hier verlangsamt sich der Film fast, denn ansonsten scheinen Schnitt, Bewegung und Sprache einem ganz eigenen, für das Filmemacherpaar durchaus schnellen Rhythmus zu folgen. Denkt man beispielsweise an die Eröffnungsszene in Juventude em Marcha so kann man die Parallelen im Zusammenspiel von Ton und Bild, Klang und Rhythmus hören, die Costa mit Straub-Huillet verbindet. Der Schwenk öffnet unseren Blick auf die konstruierten Welten. Er ist ein Dokument in der Zeit. Zudem wird damit die Bedeutung des Lands für die Figuren betont. Die Wiederholung spricht vielleicht von einer Unveränderlichkeit, wie der immer gleiche Weg zur Arbeit. Man denkt an Rossellini, man denkt an Rivette und man denkt an Kiarostami, dessen Film Where Is the Friend’s Home? Im Anschluss im Metrokino zu sehen war.

Sicilia! von Straub-Huillet

Sowohl Straub-Huillet als auch Costa behandeln die Bedeutung von Sprache im Film. Sie finden beide Wege (und das Ausrufungszeichen beziehungsweise Fragezeichen in den jeweiligen Titeln sprechen bereits davon), Sprache in ein filmisches Ereignis zu transformieren. Zum einen geht es um Sprache in der Zeit, zum anderen um die Adressierung der Sprache. Die Figuren, sei es der Sohn oder die Mutter in Sicilia! oder Straub in Où gît votre sourire enfoui? sprechen mit etwas Unsichtbaren. Sie adressieren nicht direkt die Kamera und sie sprechen auch nicht wirklich mit den Personen in der diegetischen Welt. Vielmehr sprechen sie um zu sprechen. Darin liegt neben einem Verfremdungseffekt und einer tragischen Komik auch die Geschichte einer Einsamkeit, von wahrhaftigen Seelen.Es ist auch bezeichnend, dass in beiden Filmen in Nicht-Muttersprachen der Filmemacher gesprochen wird. Für sie geht es nicht um die Information durch Sprache sondern das Wesen, das dahinter sichtbar wird, in der Zeit, versteckt, wie ein Lächeln in den Augen.

Zwei essentielle Filme für alle, die noch darüber nachdenken wollen, wo man eine Kamera positioniert, wann man schneidet und warum man einen Film zum Sprechen benutzt.

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  85. Fingers down, Apple’s app shop wins by way of a mile. It’s a significant alternative of all kinds of applications vs a quite unhappy alternative of a handful for Zune. Microsoft consists of Ideas, specially in the realm of games, but I’m not of course I might will need towards guess upon the potential if this part is critical toward you. The iPod is a a lot superior option inside that scenario.

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  92. Arms down, Apple’s app shop wins as a result of a mile. It is a significant conclusion of all sorts of purposes vs a in its place disappointed decision of a handful for Zune. Microsoft includes Designs, specifically inside of the realm of online games, yet I’m not certain I would have to have in direction of wager upon the future if this portion is important towards yourself. The iPod is a much much better conclusion inside that circumstance.

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  100. If you might be nevertheless upon the fence: get your beloved earphones, thoughts down to a Least complicated Get and question in the direction of plug them into a Zune then an iPod and perspective which a single sounds improved toward oneself, and which interface can make by yourself smile further more. Then you can recognize which is straight for you.

  101. I’m not positive where you’re getting your info, however good topic. I needs to spend a while studying much more or understanding more. Thank you for wonderful info I was in search of this info for my mission.

  102. I cling on to listening to the reports lecture about receiving free online grant applications so I have been looking around for the top site to get one. Could you advise me please, where could i find some?

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  109. Zune and iPod: Greatest people review the Zune toward the Touch, nonetheless right after watching how skinny and shockingly reduced and light-weight it is, I contemplate it in direction of be a instead unique hybrid that combines attributes of both of those the Contact and the Nano. It can be incredibly colorful and magnificent OLED exhibit is a little bit more compact than the touch screen, nevertheless the player by itself feels fairly a bit lesser and lighter. It weighs above 2/3 as much, and is significantly more compact within width and height, even though remaining simply a hair thicker.

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  111. Apple presently contains Rhapsody as an app, which is a perfect commence, yet it is previously hampered by way of the incapability toward retail outlet locally on your iPod, and has a dismal 64kbps little bit price. If this improvements, then it will rather negate this advantage for the Zune, still the Ten audio for each month will however be a large furthermore within Zune Pass‘ prefer.

  112. I’ll machines this research in direction of Two products of americans: latest Zune house owners who are contemplating an improve, and us residents trying in the direction of come to a decision amongst a Zune and an iPod. (There are other players great importance considering out there, including the Sony Walkman X, nonetheless I hope this provides you plenty of info towards crank out an knowledgeable final decision of the Zune vs avid gamers other than the iPod line as very well.)

  113. Today, I went to the beach with my kids. I found a sea shell and gave it to my 4 year old daughter and said „You can hear the ocean if you put this to your ear.“ She placed the shell to her ear and screamed. There was a hermit crab inside and it pinched her ear. She never wants to go back! LoL I know this is totally off topic but I had to tell someone!

  114. Zune and iPod: Highest All those assess the Zune to the Touch, nevertheless following watching how slender and incredibly very low and gentle it is, I look at it in the direction of be a alternatively exclusive hybrid that combines traits of both of those the Touch and the Nano. It can be extremely vibrant and stunning OLED show is somewhat smaller sized than the touch screen, yet the player by itself feels Very a bit smaller sized and lighter. It weighs pertaining to 2/3 as much, and is considerably more compact in just width and height, whilst staying just a hair thicker.

  115. I am going to products this critique in the direction of Two patterns of Those: existing Zune owners who are taking into consideration an up grade, and us citizens trying toward make your mind up between a Zune and an iPod. (There are other players significance thinking of out there, which include the Sony Walkman X, nevertheless I expect this provides yourself plenty of information and facts in the direction of create an aware preference of the Zune vs players other than the iPod line as effectively.)

  116. The fresh Zune browser is amazingly Great, yet not as favourable as the iPod’s. It is effective very well, however is not as prompt as Safari, and consists of a clunkier interface. If by yourself often program on getting the net browser that is not an issue, however if you happen to be planning toward read the world-wide-web alot from your PMP then the iPod’s larger screen and much better browser could possibly be essential.

  117. I’ve been surfing online more than 3 hours today, yet I by no means discovered any interesting article like yours. It is pretty price sufficient for me. Personally, if all web owners and bloggers made good content material as you probably did, the web will likely be much more helpful than ever before.

  118. I will machines this evaluation to Two models of individuals: current Zune property owners who are considering an enhance, and us residents trying towards choose in between a Zune and an iPod. (There are other players value thinking of out there, together with the Sony Walkman X, nevertheless I be expecting this provides oneself ample information towards deliver an aware choice of the Zune vs players other than the iPod line as nicely.)

  119. The Zune concentrates upon currently being a Transportable Media Player. Not a website browser. Not a recreation machine. Possibly in just the long term it will do even greater within just people areas, however for previously it really is a Good path to organize and pay attention toward your new music and motion pictures, and is with out peer within just that regard. The iPod’s strengths are its website visiting and apps. If those people solid even more compelling, probably it is your suitable alternative.

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  122. You actually make it seem so easy with your presentation but I find this topic to be actually something which I think I would never understand. It seems too complicated and extremely broad for me. I am looking forward for your next post, I will try to get the hang of it!

  123. Arms down, Apple’s application retailer wins by a mile. It is really a substantial amount of all types of apps vs a quite unhappy option of a handful for Zune. Microsoft has programs, primarily within the realm of online games, however I’m not absolutely sure I might require in direction of guess on the future if this aspect is considerable in the direction of yourself. The iPod is a substantially better final decision within that case.

  124. I will gear this analyze towards 2 versions of people in america: current Zune owners who are considering an up grade, and persons striving towards make a decision involving a Zune and an iPod. (There are other gamers great importance looking at out there, such as the Sony Walkman X, but I hope this provides your self sufficient info towards generate an aware determination of the Zune vs gamers other than the iPod line as perfectly.)

  125. I am going to tools this evaluation in the direction of Two layouts of individuals: current Zune property owners who are considering an enhance, and individuals trying in the direction of decide concerning a Zune and an iPod. (There are other avid gamers value looking at out there, together with the Sony Walkman X, nevertheless I be expecting this presents yourself enough info to create an informed selection of the Zune vs gamers other than the iPod line as perfectly.)

  126. wonderful post, very informative. I ponder why the other experts of this sector don’t realize this. You should proceed your writing. I’m sure, you have a huge readers‘ base already!

  127. Thanks for your article. It is very unfortunate that over the last ten years, the travel industry has already been able to to take on terrorism, SARS, tsunamis, influenza, swine flu, plus the first ever real global tough economy. Through all of it the industry has proven to be solid, resilient and dynamic, obtaining new solutions to deal with difficulty. There are generally fresh complications and possibilities to which the market must yet again adapt and reply.

  128. I’ll products this examine toward 2 models of Those: recent Zune householders who are contemplating an update, and us citizens making an attempt to choose concerning a Zune and an iPod. (There are other avid gamers well worth taking into consideration out there, including the Sony Walkman X, still I expect this offers by yourself plenty of facts in the direction of crank out an informed decision of the Zune vs gamers other than the iPod line as very well.)

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