Rainer on the Road: 9. Berlin Biennale

Es kommt es mir so vor – und das schreib ich in meiner Rolle als Filmmensch, der keinen ganzheitlichen Überblick über die Entwicklungen in der Kunstwelt hat –, als ob die Gegenwartskunst nach gut zwanzig Jahren die Ideen der Postmoderne wieder verstärkt aufgreift. Nachdem die große digitale Euphorie und die damit einhergehende Verheißung totaler Demokratisierung der Produktions- und Distributionsmittel mittlerweile abgeklungen ist, hat sich zwar die Welt und die Gesellschaft verändert, vor allem hinsichtlich der Pflege sozialer Kontakte und unserer medialen Exponiertheit, aber die Kunst (und auch das Gegenwartskino) beschäftigt sich wieder zunehmend mit sich selbst – Selbstreferentialität ist einmal mehr en vogue. Innovation und Weiterentwicklung künstlerischer Positionen scheint immer stärker an technologischen Fortschritt gekoppelt, weil das gut erzogene Publikum sich kaum mehr schockieren oder in die Irre führen lässt. Paul Feyerabends programmatisches Credo „everything goes“ für uneingeschränkte Methodenvielfalt in den Wissenschaften hat offensichtlich in der Kunstszene mehr Resonanz gefunden, als in allen anderen Bereichen des Lebens. Im Kampf um Aufmerksam und (finanzielles) Überleben biedert sich die Gegenwartskunst auf jeden Fall zunehmend der marktliberalen Leitideologie des langen 20. Jahrhunderts an, was sie jedoch vehement abstreitet: und hier kommt die Postmoderne ins Spiel, denn diese Anbiederung wird mit einem mehr oder weniger aufgesetzten Augenzwinkern übertüncht. Man spiele ja nur mit diesen Ideen und dieser Ideologie und versuche sie durch Assimilation zu korrumpieren, hört man dann. Das alles sei eigentlich eh kritisch gemeint und man nutze nur die Mechanismen des Markts für seine eigenen Zwecke. Das ist offensichtlich Bullshit und das Augenzwinkern als fadenscheinige Ausrede ist nicht einmal gut gespielt.

What the Heart Wants von Cécile B. Evans

What the Heart Wants von Cécile B. Evans

Die kuratorische Linie der 9. Berlin Biennale ist ein Musterbeispiel für eine solche Vorgehensweise. Der Folder sieht aus, wie die Broschüre einer Sprachschule; klinische Reduktion, die vor fünfzig Jahren als minimalistische Positionierung noch schockiert hätte, wird als leere Floskel zum Leitmotiv auserkoren; das Glas- und Betonmonstrum der Akademie der Künste mit ihrem Flair eines überdimensionierten Konferenzraums dient als Hauptquartier; und mit der ESMT (European School for Management and Technology) wird ein Gebäude bespielt, das ehemals vom Parteiapparat des SED genutzt wurde und heute eine Wirtschaftsschule beherbergt. In gewisser Weise ist die ESMT, wo nebenher weiter der reguläre Universitätsbetrieb läuft, der Gipfel dieses Konvoluts an Widersprüchlichkeiten und Gefallsucht. Interessant, dass es jedoch gerade hier, abseits der großen Hauptausstellungsorte die Mixed-Media-Installation von Simon Denny und Linda Kantchev tatsächlich schafft die sperrigen Gegensatzpaare künstlerisch fruchtbar zu machen. Sie nähern sich mit Bewegbild, Text, Skulptur und Raumkonzept alternativen Geldmodellen wie Bitcoin und deren Ideen eines Anarcho-Kapitalismus, was wunderbar mit der Idee der Verzahnung von Form, Inhalt und Architektur korrespondiert. Hier lässt sich am besten eine konsequente Umsetzung der ansonsten recht hohlen Phrasendrescherei erkennen (nach rund zwanzig Minuten hat sich diese Keimzelle der kuratorischen Gedanken aber auch erschöpft und man hat den dortigen Ausstellungsbereich durchwandert). Es ätzt sich leicht über die Aufmachung dieser Veranstaltung, das ist insofern tragisch, als dass man darüber leicht die einzelnen Arbeiten aus dem Blick verlieren kann. Viele der teilnehmenden Künstler und Künstlerinnen haben sich dem Diktat des neo-postmodernen Augenzwinkerns nämlich standhaft widersetzt. Umgeht man die fehlgeleiteten post-post Orgien eines Simon Fujiwara und seines Happy Museum und sieht man über manche Absonderlichkeiten, wie Josh Klines single-channel Installation Crying Games in einer black box voll Katzenstreu (?) hinweg, dann finden sich einige sehr spannende Arbeiten, die besser mit den Herausforderungen, die sich der Kunst im 21. Jahrhundert stellen, umzugehen wissen, als es das Gesamtkonzept vermuten lässt. Einige dieser Arbeiten –ich habe mich dabei auf Werke beschränkt, die mit Bewegbildern arbeiten – möchte ich im Folgenden kurz vorstellen.

View of Pariser Platz von Jon Rafman

View of Pariser Platz von Jon Rafman

Es ist bezeichnend, dass die gelungensten Arbeiten an der Peripherie der Biennale zu finden sind. Da ist zum einen die kleine Ausstellung in der ESMT und da sind zum anderen Kellerräume und Dachgeschoss. Im KW, neben der Akademie der Künste am Pariser Platz der zweite Hauptausstellungsort der Biennale, hat man den geräumigen Keller für die Bewegbild-Installation What the Heart Wants von Cécile B. Evans buchstäblich unter Wasser gesetzt. Die ganze Halle, die einzig durch die Videoprojektion erleuchtet ist, wurde geflutet. Umgeben vom kühlen Nass, betritt man die zentrale Plattform, die sich zentral vor der Leinwand befindet, lässt sich in eines der Sitzkissen fallen und genießt ein ganz besonderes synästhetisches Erlebnis. Das Wasser ist mehr als eine leere Geste, wie man das zunächst vermuten könnte (auf einer Biennale voller leeren Gesten). Es verändert das Klima, die Akustik und die Lichtverhältnisse im Raum. Hier ist es merklich kühler, der Hall wie in einer Grotte gedämpft und auf der Oberfläche spiegelt sich die Projektion. Das Wasser erweitert sozusagen die Leinwand und lässt die Seherfahrung zu einer ganzkörperlichen Sinneserfahrung werden – Virtual Reality ganz ohne Brille.

Der Balkon des Dachgeschosses der Akademie der Künste bietet ein ganz anderes Schauspiel. Dort wird man als Besucher gebeten eine Virtual Reality Brille aufzusetzen und zunächst den Ausblick auf den CGI-animierten Pariser Platz zu genießen. Während man sich in dieser virtuellen Welt zurechtfindet, beginnt sich ein seltsames, schauriges Schauspiel zu entfalten. Körperschemen erheben sich in die Lüfte, die umgebenden Ausstellungsobjekte erwachen zum Leben, schließlich bröckelt der Boden und man fällt (Höhenangst sorgt für Extra-Nervenkitzel), um schließlich zu schweben. Luft, Wasser, beinahe hält man den Atem an, versucht den Schattenkörpern auszuweichen und bestaunt die abstrakten Objekte und Formen, die jegliche Raumorientierung zunichtemachen. View of Pariser Platz von Jon Rafman war meine erste Erfahrung mit Virtual Reality und dementsprechend enthusiastisch bin ich nun ob der neuen kreativen Möglichkeiten dieser Technologie.

The Tower von Hito Steyerl

The Tower von Hito Steyerl

Sieben Stockwerke tiefer sind zwei Arbeiten von Hito Steyerl zu sehen, die in vielerlei Hinsicht miteinander sprechen. Da ist zum einen The Tower, in dem ein russischer Programmierer von seiner Arbeit als Designer von virtuellen Realitäten spricht und zum anderen Extra Space Craft über den Einsatz von Drohnen im Irak. Die beiden Filme verbindet eine Animationssequenz des ehemaligen Sternobservatoriums des Iraks, dass durch die Kriege der letzten dreißig Jahre arg in Mitleidenschaft gezogen wurde. Der russische Programmierer hat es mittels Computeranimation als eine Art neuen Turm zu Babel zum Leben erweckt und in Extra Space Craft dient es als Metapher für die Sehnsucht nach den Sternen. Steyerls Arbeiten im kahlen Kellergewölbe scheinen gegen die isolierte Kunstwelt zu intrigieren, Verbindung zur Außenwelt und zu den tatsächlichen politischen und wirtschaftlichen Verwerfungen herstellen zu wollen. Sind sie deshalb verbannt worden, an diesen unwirtlichen Ort, der als einer der wenigen nicht durch die Ästhetik des Konferenzraums und/oder des Hipster-Schicks korrumpiert worden ist? Ich wünsche mir einen Zufluchtsort für diese verbannten Arbeiten, einen Ort, wo sie in Dialog treten können mit den verbannten (Kino-)Filmen dieser Erde.

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  74. Thanks for any other informative web site. The place else may just I get that kind of info written in such an ideal method? I have a venture that I am simply now running on, and I’ve been at the look out for such information.

  75. Howdy! I know this is kinda off topic but I was wondering if you knew where I could get a captcha plugin for my comment form? I’m using the same blog platform as yours and I’m having trouble finding one? Thanks a lot!

  76. 784526 267204Ive been absent for some time, but now I remember why I used to adore this blog. Thank you, I will try and check back a lot more often. How frequently you update your internet internet site? 578339

  77. Needed to compose you a bit of observation to give thanks as before relating to the extraordinary opinions you’ve featured on this site. This is extremely generous of you to allow freely just what many of us could possibly have made available as an e book to help with making some cash for their own end, chiefly now that you might have tried it in the event you desired. The thoughts in addition worked to become a easy way to be aware that other people have similar interest like my own to find out somewhat more with regard to this matter. I am sure there are some more pleasurable times in the future for those who looked at your blog post.

  78. Apple now contains Rhapsody as an app, which is a great start, nonetheless it is at this time hampered as a result of the incapacity in direction of keep regionally upon your iPod, and contains a dismal 64kbps bit price tag. If this alterations, then it will relatively negate this advantage for the Zune, nonetheless the 10 new music for each month will nonetheless be a significant plus inside of Zune Pass‘ want.

  79. hello!,I really like your writing so so much! share we communicate extra approximately your post on AOL? I need a specialist on this space to resolve my problem. May be that is you! Having a look ahead to peer you.

  80. The contemporary Zune browser is astonishingly very good, nevertheless not as Great as the iPod’s. It is effective well, yet is not as prompt as Safari, and consists of a clunkier interface. If on your own often program on employing the internet browser that is not an issue, however if you might be creating in direction of go through the world-wide-web alot in opposition to your PMP then the iPod’s much larger display and better browser could be sizeable.

  81. Palms down, Apple’s app retail outlet wins through a mile. It can be a huge conclusion of all kinds of programs vs a pretty sad range of a handful for Zune. Microsoft contains applications, primarily within just the realm of game titles, nonetheless I am not sure I’d will need to wager on the long run if this portion is critical toward your self. The iPod is a a great deal superior decision inside of that situation.

  82. Apple at the moment has Rhapsody as an app, which is a Good start off, however it is at this time hampered by the incapacity in direction of shop regionally upon your iPod, and consists of a dismal 64kbps little bit cost. If this variations, then it will relatively negate this usefulness for the Zune, yet the 10 audio per month will even now be a massive as well as inside Zune Pass‘ want.

  83. This is getting a little bit additional subjective, however I a lot desire the Zune Current market. The interface is colourful, contains added flair, and some awesome options which include ‚Mixview‘ that enable oneself instantly view identical albums, new music, or other consumers equivalent toward what you are listening in direction of. Clicking on 1 of these will heart on that product, and another mounted of „neighbors“ will come into view, letting you in direction of navigate around exploring through equivalent artists, music, or consumers. Conversing of people, the Zune „Social“ is on top of that great fun, allowing yourself track down some others with shared tastes and starting to be mates with them. Oneself then can listen towards a playlist developed based upon an amalgamation of what all your mates are listening toward, which is in addition interesting. Individuals concerned with privacy will be relieved in direction of comprehend on your own can stay away from the community from observing your unique listening habits if your self hence consider.

  84. I would like to thank you for the efforts you have put in writing this web site. I am hoping the same high-grade website post from you in the upcoming as well. Actually your creative writing skills has encouraged me to get my own website now. Really the blogging is spreading its wings quickly. Your write up is a great example of it.

  85. The Zune concentrates upon staying a Moveable Media Player. Not a net browser. Not a match machine. Possibly within just the potential it’ll do even superior in just those people areas, but for at the moment it really is a superior path in direction of organize and listen towards your new music and flicks, and is with out peer within just that respect. The iPod’s pros are its web visiting and applications. If those good excess persuasive, probably it is your best alternative.

  86. I wanted to develop a brief comment to be able to express gratitude to you for the magnificent secrets you are placing here. My time intensive internet lookup has now been compensated with useful suggestions to talk about with my friends and family. I would say that many of us site visitors actually are truly fortunate to be in a fantastic website with many awesome people with very beneficial plans. I feel quite lucky to have come across your entire web site and look forward to so many more amazing minutes reading here. Thanks again for a lot of things.

  87. Apple presently includes Rhapsody as an app, which is a very good start off, however it is at present hampered via the lack of ability toward keep domestically upon your iPod, and incorporates a dismal 64kbps little bit cost. If this variations, then it will to some degree negate this benefit for the Zune, but the Ten songs for each thirty day period will continue to be a significant as well as inside of Zune Pass‘ want.

  88. Unquestionably believe that which you stated. Your favorite reason appeared to be on the net the easiest thing to be aware of. I say to you, I definitely get annoyed while people think about worries that they plainly don’t know about. You managed to hit the nail upon the top as well as defined out the whole thing without having side effect , people could take a signal. Will probably be back to get more. Thanks

  89. Concerning me and my spouse we have owned far more MP3 players more than the decades than I can depend, such as Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, and many others. But, the closing couple of several years I’ve fixed down in the direction of a person line of avid gamers. Why? Considering the fact that I was delighted toward obtain how well-designed and exciting toward use the underappreciated (and greatly mocked) Zunes are.

  90. I’ve been absent for a while, but now I remember why I used to love this website. Thank you, I’ll try and check back more frequently. How frequently you update your web site?

  91. Useful information. Lucky me I discovered your web site unintentionally, and I am stunned why this accident did not came about in advance! I bookmarked it.

  92. Sorry for the massive research, but I am seriously loving the fresh Zune, and count on this, as nicely as the very good critiques some other people in america include penned, will assistance your self make your mind up if it can be the right determination for oneself.

  93. Someone essentially lend a hand to make seriously articles I’d state. That is the very first time I frequented your website page and to this point? I surprised with the analysis you made to make this actual post incredible. Fantastic activity!

  94. The Zune concentrates on currently being a Moveable Media Player. Not a website browser. Not a recreation machine. Probably in the potential it’s going to do even better within just those areas, however for previously it is really a fantastic path to arrange and pay attention towards your new music and videos, and is without peer inside that respect. The iPod’s rewards are its web going to and programs. If those people sound a lot more powerful, quite possibly it is your most straightforward preference.

  95. Needed to compose you that little remark just to say thanks a lot again considering the lovely suggestions you’ve featured at this time. It was quite extremely generous of people like you to present easily exactly what a lot of people could possibly have marketed as an electronic book to make some cash for themselves, principally now that you could possibly have tried it in case you decided. These principles in addition worked to become great way to understand that some people have the same zeal just like my very own to figure out many more on the subject of this matter. I’m sure there are thousands of more pleasant instances in the future for those who discover your blog.

  96. I’ve been surfing online more than three hours today, but I by no means found any fascinating article like yours. It is pretty price sufficient for me. Personally, if all site owners and bloggers made just right content material as you did, the net can be a lot more useful than ever before.

  97. Hands down, Apple’s app retail store wins by means of a mile. It really is a large variety of all kinds of applications vs a quite not happy final decision of a handful for Zune. Microsoft includes Ideas, especially inside of the realm of games, yet I am not sure I would have to have to wager upon the long run if this attribute is major to yourself. The iPod is a a lot greater alternative within that circumstance.

  98. Zune and iPod: Most persons compare the Zune in direction of the Touch, yet right after viewing how thin and astonishingly low and light it is, I try out it toward be a really unique hybrid that brings together properties of both the Touch and the Nano. It really is Really colorful and attractive OLED show is a little smaller sized than the contact screen, however the participant by itself feels reasonably a bit smaller sized and lighter. It weighs over 2/3 as considerably, and is substantially smaller in width and height, though becoming merely a hair thicker.

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