Origin of Symmetry: Afternoon von Tsai Ming-liang

In einer anmaßenden Unbeholfenheit schafft Tsai Ming-liang in diesem Filmdialog/Dialogfilm eine derart beruhigende und erwärmende Stimmung, dass man ihm, im Gespräch mit seiner – selbst sitzend in einer Halbtotale hypnotisierenden – Muse Lee Kang-sheng Stunden zuhören könnte. Auf zwei niedrigen Stühlen sitzen die beiden Filmemacher, Schauspieler, Vater/Sohn, Liebender und Geliebter, Pinsel und Farbe, weil Tsai das so möchte, weil er etwas loswerden möchte, ohne dass er die genauen Worte dafür hat. Mehr wird es nicht geben in diesem Film, der strukturell vielleicht mit Corneliu Porumboius Al doilea joc verwandt ist, ohne jedoch dessen Vielschichtigkeit zu besitzen. Stattdessen geht es hier – und das ist schon viel genug geschichtet – um das Verhältnis und die Geschichte zwischen Tsai und seinem Schauspieler, seinem immerwährenden Hauptdarsteller Lee, vielleicht ist Afternoon auch der verlorene Versuch einer Danksagung an den Darsteller, die gerade dadurch glückt, dass sie immer wieder scheitert, die Unsicherheit einer Zufriedenheit und ganz sicher der Stolz eine Zeit des Glücks einfrieren zu können bevor das Glück wieder verschwindet („I tell people that I feel very blissfull. I don’t know if they understand.”).

Es ist keineswegs so, dass der Film jegliche kinematographischen Qualitäten, die das Kino des in Taiwan arbeitenden Filmemachers ausmachen, über Bord werfen würde. Diese Einstellung, der wir über zwei Stunden in vier Takes folgen ist voller modernistischer Kraft und sinnlicher Stille. Mit einer weitwinkligen Aufsicht wurden die zwei Stühle in der Ecke eines Raumes platziert, der wunderbar in das Universum der Ruinen passt, die Tsai sonst so aufsucht (Tsai:„I love ruins“, Lee: „In your films I always play ruins.“), einzig, dass es sich in diesem Fall um sein tatsächlichs Haus in den Bergen handelt. Durch zwei glaslose Fenster ragen Pflanzen und man erahnt das Grün eines tiefen Waldes. Immer wieder kommt Wind auf und untermalt die Suche nach Worten und deren zerbrechlichen Klang. Lee, den Tsai als den vielleicht merkwürdigsten Schauspieler aller Zeiten bezeichnet, weil man nie wisse, ob er spiele oder nicht, macht nicht viel und lässt uns (uns Zuseher hingebungsvoll in der Filmwelt von Tsai/uns Menschen, die mit den Augen im Kino sind) erneut mit der staunenden Liebe einer Unbegreiflichkeit zurück. Seine knappen Antworten und spärlichen Gesten sind von einer verletzten Trockenheit. Immer wieder muss Tsai laut auflachen, durchgehend federt Lee die emotionalen Regungen seines Entdeckers ab. Aus ihm spricht gleichzeitig die Erfahrung aus dem Umgang mit seinem Regisseur sowie das daraus resultierende Vertrauen und die Angst.

afternoon3

Zwei Dinge sollten unbedingt klargemacht werden: Zum einen ist Afternoon keineswegs ein hochkomplexer Film. Es ist die schlichte Einfachheit und Gefahr eines Moments und das Vertrauen in die Komplexität dieser Simplizität. Jedes Wort, dass man als Schreibender darüber verliert, mag vielleicht so antizipiert sein, aber letztlich handelt es sich einfach nur um ein Gespräch dessen poetische, theoretische und philosohpische Tragweite nicht unbedingt (aber auch) aus der Kraft der Kamera geweckt wird, sondern aus dem Dialog selbst entsteht sowie den schweigenden Augenblicken, den kleinen Bewegungen, dem Lachen und Lächeln zweier Menschen, die uns berühren. Das wunderbare ist nur, dass uns Tsai in dieses Gespräch eingeladen hat. Zum anderen handelt es sich – wie vielleicht sonst nur bei Où gît votre sourire enfoui? von Pedro Costa – um einen versteckten Liebesfilm, der hinter dem Schatten einer gemeinsamen Arbeit entsteht. Nein, Afternoon ist kein großes Outing der beiden – auch wenn Tsai sagt, dass er im Film zum ersten Mal öffentlich über seine Homosexualität spricht – es ist vielmehr ein Film über das unerwiderte Begehren, der über die Liebe jenseits jeglicher sexueller Verbindungen zwischen den beiden erzählt. So handelt Afternoon auch von der Unmöglichkeit zwischen Künstler und Muse, der Unmöglichkeit des wirklichen Berührens, die hier eine Beständigkeit bewirkt, dessen Druck man in jedem Bild des Werks von Tsai sehen kann, eine Konzentration zwischen Schatten und Licht, die im Unbegreifbaren von Lee liegt, der Seite von Lee, die Tsai und auch uns verborgen bleibt. Und das ist zugleich der Inhalt als auch der Reiz dieses Gesprächs. Diese Frage des unerwiderten Begehrens ist auch der große Unterschied zu einem Film wie Jean-Luc Godards Soft&Hard, der die Reflektion auf das eigene Werk in die Beiläufigkeit eines Alltags einbettet während des Gespräch zwischen Tsai und Lee gar nicht erst in einen Alltag fallen kann (selbst wenn sie es wollten), weil es durchgehend voller Unsicherheiten ist und von einer Neugier handelt, die zumindest im Fall von Tsai noch immer auf der Suche ist, rastlos und emotional. Natürlich gilt das auch für Godard, aber im Fall dieser beiden Filme steht eine Art berechnende Selbstironie gegen eine Ehrlichkeit, die sich nicht scheut, den eigenen Stolz zu filmen. Ob das an kulturellen Unterschieden liegt, mögen andere beurteilen.

Natürlich ist Afternoon auch ein Film über die Einsamkeit (Krankheit, Liebe), die Alltäglichkeit (Essen, Krankheit, Spaziergänge) und das Zögern. Tsai baut also auch nach seinem offiziellen Karriereende als Filmemacher an seinem Filmhaus (nur, dass wir dieses Mal in seinem Haus sind und so platt diese Feststellung erscheinung mag, so aussagekräftig ist sie), in dem sich alles immerzu aufeinander beziehen lässt. Zunächst scheint es gar nicht so, dass es ihm darum ginge, seine Dankbarkeit an Lee loszuwerden, denn am Anfang des Gesprächs geht es Tsai um die dauernde Präsenz seiner eigenen Vergänglichkeit, seine Angst vor dem Tod. Immer wieder wird er darauf zurückkommen, dass es plötzlich vorbei sein könne. Für manchen Betrachter mag dieses zum Teil unvorbereitete (oder zumindest jederzeit so wirkende) Reden wie der Gipfel einer Willkürlichkeit wirken (wiederholt sagt Tsai, dass man vielleicht nie wieder so miteinander reden könne, woraufhin Lee einmal entgegnet: „We can talk any time“), aber darin drückt sich trotz oder gerade wegen des beständigen Selbstlobs keine Arroganz aus, sondern die Freude einer Zufriedenheit, die geteilt wird. Klar kann man darüber diskutieren, ob ein solcher Film auf Festivals laufen sollte, aber Tsai versteht die Mechanismen der Kunstszene derart gekonnt, dass er mit Afternoon sogar noch einen mutigen Schritt weiter ins Museum geht als gewohnt: Der Künstler zählt hier, nicht sein Film beziehungsweise sein Film existiert nur im Dialog mit dem Künstler. Ich vermag nur spekulieren, wie sinnlos dieses großartige Werk einigen Zuschauern erscheint, die keinen Film von Tsai Ming-liang gesehen haben…mit Afternoon wird Film dann zur „Insider-Art“, von der Jean Renoir geträumt hat. Wir haben vielleicht Lee nicht besser verstanden, aber wir haben das einfache Licht zwischen Künstler und Muse gesehen.

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  68. The clean Zune browser is astonishingly Wonderful, still not as positive as the iPod’s. It functions very well, still is just not as prompt as Safari, and includes a clunkier interface. If you sometimes system on having the website browser which is not an issue, but if you are creating to read through the website alot versus your PMP then the iPod’s greater screen and superior browser could possibly be major.

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  70. Zune and iPod: Utmost human beings examine the Zune in direction of the Touch, nevertheless soon after seeing how skinny and amazingly very low and light-weight it is, I take it in the direction of be a rather unique hybrid that brings together properties of both equally the Touch and the Nano. It’s Quite colorful and magnificent OLED show is slightly smaller than the contact screen, but the participant alone feels pretty a little bit smaller sized and lighter. It weighs concerning 2/3 as a lot, and is appreciably scaled-down in width and top, even though becoming simply just a hair thicker.

  71. I am going to equipment this research towards 2 styles of men and women: present-day Zune homeowners who are considering an up grade, and These attempting toward make your mind up involving a Zune and an iPod. (There are other gamers worthy of contemplating out there, together with the Sony Walkman X, but I expect this features you enough information and facts toward deliver an aware final decision of the Zune vs players other than the iPod line as well.)

  72. I wish to point out my admiration for your kindness for men who require help with that idea. Your very own commitment to getting the message all around turned out to be really important and have frequently enabled employees just like me to arrive at their dreams. Your amazing interesting suggestions entails a whole lot a person like me and further more to my mates. Best wishes; from each one of us.

  73. Zune and iPod: Most people today evaluate the Zune in the direction of the Touch, however following seeing how skinny and astonishingly little and light-weight it is, I attempt it in direction of be a as a substitute unique hybrid that combines qualities of equally the Touch and the Nano. It’s Quite colourful and stunning OLED display is a little bit scaled-down than the contact screen, but the player by itself feels Really a bit smaller and lighter. It weighs over 2/3 as much, and is substantially lesser within width and peak, even though becoming merely a hair thicker.

  74. Heya i am for the first time here. I came across this board and I find It really useful & it helped me out much. I hope to give something back and aid others like you helped me.

  75. Fingers down, Apple’s application shop wins by means of a mile. It truly is a large final decision of all forms of purposes vs a alternatively sad alternative of a handful for Zune. Microsoft includes systems, primarily within just the realm of video games, however I am not confident I’d need to have in the direction of wager upon the long run if this part is substantial in the direction of yourself. The iPod is a considerably greater conclusion in just that scenario.

  76. This web page is mostly a stroll-through for the entire information you wanted about this and didn’t know who to ask. Glimpse here, and also you’ll positively uncover it.

  77. hi!,I like your writing very so much! proportion we communicate more approximately your post on AOL? I require a specialist in this area to unravel my problem. May be that is you! Looking ahead to peer you.

  78. The contemporary Zune browser is astonishingly good, still not as Terrific as the iPod’s. It performs very well, still isn’t really as quick as Safari, and consists of a clunkier interface. If you occasionally plan on getting the world-wide-web browser which is not an issue, however if you happen to be creating in the direction of study the internet alot from your PMP then the iPod’s larger sized display screen and improved browser might be considerable.

  79. I wish to show my appreciation to you for bailing me out of this problem. Just after surfing through the the net and getting views that were not pleasant, I figured my life was gone. Being alive without the strategies to the difficulties you have sorted out as a result of your main article content is a critical case, as well as the ones that could have in a negative way affected my entire career if I hadn’t come across the website. Your main ability and kindness in maneuvering the whole lot was very helpful. I’m not sure what I would have done if I hadn’t come upon such a step like this. I can also now look forward to my future. Thank you so much for your high quality and result oriented help. I will not be reluctant to recommend your web site to anybody who would like tips about this issue.

  80. The clean Zune browser is surprisingly very good, but not as good as the iPod’s. It functions properly, yet just isn’t as fast as Safari, and consists of a clunkier interface. If your self from time to time method on using the world-wide-web browser which is not an issue, but if you might be designing in direction of browse the world-wide-web alot from your PMP then the iPod’s larger display and much better browser may possibly be vital.

  81. You could definitely see your skills in the work you write. The world hopes for more passionate writers like you who are not afraid to say how they believe. Always follow your heart.

  82. Arms down, Apple’s app shop wins by way of a mile. It really is a large preference of all sorts of purposes vs a pretty unsatisfied option of a handful for Zune. Microsoft includes Ideas, primarily in the realm of online games, still I’m not guaranteed I might require towards wager upon the potential if this attribute is sizeable in direction of on your own. The iPod is a a lot far better conclusion in just that scenario.

  83. obviously like your web site however you have to check the spelling on quite a few of your posts. Several of them are rife with spelling problems and I to find it very bothersome to tell the truth nevertheless I¡¦ll certainly come again again.

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