Il Cinema Ritrovato 2016: Unsere hohen Lichter

Zum Abschluss unserer Texte aus Bologna eine Übersicht unserer Highlights vom Festival und einige Schlussworte. Zur Übersicht noch mal unsere Tagebucheinträge:

Barbara Bouchet

Modern Times

Heiß wie ein Vulkan

Pferde schwimmen in Farbe

Feuer, Wasser und die schwarze Stadt

I Pugni in Tasca

My Way

PATRICK

les portes de la nuit

Mehr noch als das Kino bleibt von Bologna das Erleben einer Kinokultur. Dabei begegnet man nicht nur in Bologna einem interessanten Paradox: Die Liebe zum Kino wird oft durch ein einzelnes, unbewegtes Bild ausgedrückt. Warum? Tragen diese Screenshots, Poster und Fotos in sich das Versprechen oder Geheimnis ihrer Bewegung? Sind sie unserer Erinnerung doch ähnlicher als das Laufbild? Oder ist das Laufbild nur so fest zu halten? Wie die Erinnerung. In Bologna ist dieses Bild das Schlussbild aus Modern Times. Es ist doppelt verewigt und restauriert. Es zu sehen, löst die Erinnerung an die Bewegung selbst aus.

Ansonsten drei dieser Erinnerungen, die mich so schnell nicht verlassen:

Der Rauch abgefeuerter Pistolen in Flesh & the Devil von Clarence Brown. Er dringt aus dem Off links und rechts in das stumme Bild, Silhouetten erstarren und bewegen sich und wir wissen einen langen Augenblick nicht, wer lebt und wer stirbt; nur wer liebt.

Ein anderer Rauch im Nebel von Les portes de la nuit von Marcel Carné. Eigentlich bleibt von diesem Film weniger als ein Bild. Was bleibt, ist ein Gefühl; man träumt und kann mit dem Leben gar nicht gegen diese Träume ankämpfen. Im Nebel verbinden sie sich.

Schwindel in I pugni in tasca von Marco Bellocchio. Die Kamera zu nah.

ANDREY

touchez-pas-au-grisbi

Dreimal sehe ich in Bologna die „allererste“ Kinovorführung, das Lumière-Kurzfilmprogramm, das am 28. Dezember 1985 im indischen Salon des Grand Café in Paris lief. Einmal beim Eröffnungsabend vor Casque d’Or, digital auf Riesenleinwand und mit Livekommentar von Thierry Fremaux, einmal in der Lumière-Ausstellung in DVD-Qualität an die Wand projiziert, später auf der Piazzetta Pasolini vor Jean Epsteins großartigem Coeur fidèle, von einem historischen, handgekurbelten, lärmenden Projektor gespielt, im originalen Kleinformat, ruckelnd und zuckelnd wie man es sich vorstellt. Die Atmosphäre eines cinephilen Himmels. Arbeiter verlassen die Fabrik. Ein Baby wird gefüttert. Der Gärtner mit dem Schlauch kriegt eine kalte Dusche. Ein Soldat scheitert lustig an der Pferdbesteigung. Kinder springen in die Gischt. Eine Stadtansicht. Botschaften aus einer Zeit, als es noch keine schlechten Filme gab. Dass das alles passiert ist, ist eine unheimliche Gewissheit. Immer wieder schauen Leute in die Kamera, und ich fühle mich zuweilen an Youtube-Clips erinnert. Das Wesen der Schaulust hat sich nicht verändert, nur das Staunen ist dahin, und das Wissen um die Singularität jeder einzelnen Aufnahme. Wird man in 100 Jahren einen Laptop aufstellen und dem entzückten Publikum Katzenvideos präsentieren?

Die letzte Einstellung von Jacques Beckers Montparnasse 19, einer in vielerlei Hinsicht klischeehaften Künstlerbiografie, deren brutales Finale mich dennoch getroffen hat, hallt nach. Der mephistophelische Kunsthändler Morel (gespielt von Lino Ventura) hat soeben dem Tod Modiglianis beigewohnt – einem Tod aus Hoffnungslosigkeit, wie einem der Film nahelegt. Jetzt ist er in einer dunklen, kargen Wohnung. Zuhause bei Modiglianis Verlobten, die vom Ableben des Malers noch nicht weiß. Er bietet ihr an, sämtliche Bilder ihres Mannes zu kaufen. Bald werden diese sehr viel wert sein, auch das ahnt sie nicht. Die glückliche Fügung treibt ihr Tränen in die Augen, endlich etwas Abgeltung für alle die Mühen und Entbehrungen. „Ich verstehe“, sagt Morel, und beginnt dann völlig unvermittelt, die Gemälde einzupacken, mit schnellen, schroffen Bewegungen, ein kurzer Blick auf jedes Bild genügt ihm, als würde er Ersatzteile am Fließband prüfen, während die Kamera auf ihn zufährt und die Musik – wie eine melodramatische Version von Mihâly Vigs Soundtrack zu A torinói ló – anschwillt bis zur Unerträglichkeit. So dreht man das Messer in der Wunde um. Becker ist ganz allgemein ein Filmemacher klarer, starker, glatter, harter Gesten – trotzdem fällt mir, denke ich an Touchez Pas Au Grisbi, immer wieder das Adjektiv „süß“ ein. Irgendwas am Bild Jean Gabins und René Darys, die als alternde Gangster zuhause an trockenem Brot herumknabbern, lässt mich an Jarmusch und Kaurismäki denken.

Auch niederschmetternd: Der Schluss von Vasilij Ordynskijs Četvero, düsteres Tauwetter: Ein Held, der keiner ist, stirbt umsonst, und ein Ersatz ist schnell gefunden. Da helfen auch die Farbe und der beschönigende Voice-Over nichts, der Zynismus ist nicht zu übertünchen. Ein Film, der sich vehement dagegen sträubt, das zu tun, was die Zeit von ihm verlangt. Das Negative findet sich überall, in allen Ländern und fast allen Epochen, in den genannten Beispielen wie auch in den erstaunlich finsteren Gesellschaftsporträts der Laemmle-Junior-Universal-Jahre (gegen Afraid to Talk kann House of Cards einpacken), in der existentialistischen Hysterie von „Les Abysses“ (den ich nicht ausgehalten habe, aber nicht vergessen werde), in der iranischen Dämmerung von Ebrahim Golestans Khesht o Ayeneh. Aber wenn man wieder an die Lumières denkt, fragt man sich, ob die Negativität im Kino erst erfunden werden musste, ob das Kino nicht von Natur aus positiv ist. Denn diese Filme freuen sich über alles, was sie sehen, weil sie nur das ansehen, was sie freut. Eigentlich: Sollte nicht jeder Film aufhören wie Modern Times, laut Peter von Bagh das vollkommenste Bild menschlichen Glücks, das je auf Film gebannt wurde? Aber dann gäbe es Taipei Story nicht mit seiner fantastischen Edward-Hopper-Schlusseinstellung. Und bei einem Festival wie dem Cinema Ritrovato will man sich nicht entscheiden müssen.

IOANA

taipei-story

Gesehen und wiedergesehen

Cœur fidèle von Jean Epstein

Le quadrille von Jacques Rivette

Khaneh Siah Ast von Forough Farrokhzad

I pugni in tasca von Marco Bellocchio

Taipei Story von Edward Yang

Modern Times von Charlie Chaplin

Les portes de la nuit von Marcel Carné

Fat City von John Huston

Casque d’or von Jacques Becker

Flesh and the Devil von Clarence Brown

•Filme von Gabriel Veyre

Touchez pas au grisbi von Jacques Becker

Shin Heike Monogatari von Kenji Mizoguchi

A house divided von William Wyler

The kiss before the mirror von James Whale

(1 regret – Ugetsu Monogatari nicht wieder gesehen zu haben, aber wir haben ihn auf Film gesehen)

RAINER

last-tango-in-paris

Der prägende Moment in Bologna war für mich eine Zäsur. Als mich der stete Wechsel zwischen unerbittlicher Hitze und Klimaanlagen dahinraffte und mich fast drei Tage außer Gefecht setzte. Davor hatte ich bereits einige sehr gute Filme gesehen: Marnie von Alfred Hitchcock (als Technicolor Vintage Print), Le Trou von Jacques Becker, der apokryphe Vingarne von Mauritz Stiller, die faszinierenden Reisebilder des Lumière-Kameramanns Gabriel Veyre aus Mexiko; The Wild One von Laszlo Benedek hat mich sogar die Ikonizität Marlon Brandos besser verstehen lassen. Als ich mich aber dann am dritten Tag meiner krankheitsbedingten Pause spätabends zu Last Tango in Paris schleppte, in der Hoffnung die zwei Stunden zu überstehen, ohne ohnmächtig zu werden, war das eine überwältigende Erfahrung. Aus dem stickigen, fiebrigen Appartement in die fiebrigen Bilder des Films (sind sie tatsächlich fiebrig, oder war das meiner Tagesverfassung geschuldet?): Liebe, Verzweiflung, Erotik, Butter – danach musste ich mich gleich wieder hinlegen. Der nächste und letzte Tag beginnt mit dem Korruptionssumpf einer amerikanischen Großstadt (Afraid to Talk von Edward L. Cahn) und endet mit einem Schusswechsel im Schneesturm (McCabe & Mrs. Miller von Robert Altman). Nach der Zwangspause sind diese Filme viel klarer in Erinnerung, als ich es von Filmen, die ich Festivals sehe, gewohnt bin. Die Freude darüber wieder im Kino sitzen zu können hat das Gefühl von Festival-Fatigue ausgestochen. Hoch lebe Bologna (und seine Tagliatelle) und Butter!

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  69. Excellent read, I just passed this onto a colleague who was doing some research on that. And he actually bought me lunch as I found it for him smile Thus let me rephrase that: Thank you for lunch!

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  75. I am going to gear this overview in the direction of 2 types of americans: existing Zune homeowners who are looking at an improve, and Those people hoping towards come to a decision between a Zune and an iPod. (There are other gamers importance considering out there, including the Sony Walkman X, yet I count on this features oneself more than enough information to crank out an aware selection of the Zune vs gamers other than the iPod line as effectively.)

  76. Greetings from Los angeles! I’m bored to death at work so I decided to browse your blog on my iphone during lunch break. I really like the info you present here and can’t wait to take a look when I get home. I’m shocked at how quick your blog loaded on my mobile .. I’m not even using WIFI, just 3G .. Anyhow, superb site!

  77. Hi there! I could have sworn I’ve been to this blog before but after browsing through some of the post I realized it’s new to me. Nonetheless, I’m definitely delighted I found it and I’ll be book-marking and checking back frequently!

  78. Good site! I really love how it is simple on my eyes and the data are well written. I am wondering how I could be notified when a new post has been made. I have subscribed to your RSS feed which must do the trick! Have a nice day!

  79. If you’re even now upon the fence: get your preferred earphones, mind down towards a Great Invest in and request towards plug them into a Zune then an iPod and watch which one seems improved to oneself, and which interface will make oneself smile even further. Then you are going to notice which is immediately for yourself.

  80. Sorry for the substantial assessment, nevertheless I am extremely loving the fresh new Zune, and count on this, as perfectly as the ideal testimonials some other Those comprise created, will support you come to a decision if it is really the instantly decision for oneself.

  81. Howdy would you mind sharing which blog platform you’re using? I’m looking to start my own blog soon but I’m having a difficult time making a decision between BlogEngine/Wordpress/B2evolution and Drupal. The reason I ask is because your layout seems different then most blogs and I’m looking for something completely unique. P.S Apologies for being off-topic but I had to ask!

  82. The fresh new Zune browser is astonishingly superior, still not as positive as the iPod’s. It operates perfectly, nonetheless is just not as instant as Safari, and contains a clunkier interface. If yourself sometimes application on making use of the world-wide-web browser that is not an issue, yet if you’re developing toward read the world-wide-web alot from your PMP then the iPod’s larger sized screen and improved browser may perhaps be crucial.

  83. Zune and iPod: Optimum men and women review the Zune in direction of the Touch, nevertheless as soon as looking at how thin and remarkably minor and light-weight it is, I just take it toward be a rather one of a kind hybrid that brings together qualities of both of those the Touch and the Nano. It’s amazingly colourful and magnificent OLED exhibit is a little more compact than the touch screen, yet the participant by itself feels Extremely a bit smaller sized and lighter. It weighs over 2/3 as considerably, and is noticeably more compact in width and height, though becoming merely a hair thicker.

  84. It’s actually a great and useful piece of info. I’m glad that you shared this useful info with us. Please keep us informed like this. Thanks for sharing.

  85. Apple already contains Rhapsody as an app, which is a very good commence, nonetheless it is now hampered as a result of the lack of ability towards retail outlet domestically on your iPod, and contains a dismal 64kbps little bit value. If this variations, then it will somewhat negate this benefit for the Zune, nevertheless the 10 music for each thirty day period will even now be a large additionally in just Zune Pass‘ desire.

  86. Throughout the grand pattern of things you actually get an A+ for hard work. Where exactly you actually confused me personally was on all the facts. You know, it is said, details make or break the argument.. And it could not be much more true in this article. Having said that, let me tell you just what did deliver the results. Your text is certainly really powerful and this is most likely the reason why I am taking an effort in order to comment. I do not make it a regular habit of doing that. Secondly, while I can easily notice the leaps in reasoning you make, I am not really sure of just how you seem to connect your ideas that help to make the conclusion. For the moment I shall subscribe to your issue however hope in the future you link your facts much better.

  87. Among me and my spouse we’ve owned a lot more MP3 gamers about the several years than I can count, like Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, and many others. But, the previous number of years I have fixed down to just one line of avid gamers. Why? Simply because I was content towards find how well-designed and entertaining towards hire the underappreciated (and widely mocked) Zunes are.

  88. Concerning me and my partner we have owned added MP3 avid gamers about the years than I can depend, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, and many others. But, the closing few a long time I have solved down in the direction of one line of avid gamers. Why? For the reason that I was joyful toward explore how well-designed and exciting towards employ the service of the underappreciated (and widely mocked) Zunes are.

  89. whoah this blog is excellent i love reading your posts. Keep up the good work! You know, lots of people are hunting around for this info, you can aid them greatly.

  90. Sorry for the enormous research, however I’m extremely loving the clean Zune, and anticipate this, as effectively as the quality critiques some other persons comprise written, will aid yourself come to a decision if it is really the immediately determination for you.

  91. Thanks for the sensible critique. Me & my neighbor were just preparing to do a little research about this. We got a grab a book from our area library but I think I learned more clear from this post. I’m very glad to see such fantastic information being shared freely out there.

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  93. I used to be suggested this website via my cousin. I’m no longer sure whether or not this put up is written by him as nobody else realize such designated approximately my trouble. You are amazing! Thanks!

  94. I will machines this assessment toward Two versions of us citizens: existing Zune householders who are taking into consideration an enhance, and folks striving in the direction of make your mind up concerning a Zune and an iPod. (There are other gamers value contemplating out there, which includes the Sony Walkman X, yet I hope this delivers by yourself enough facts towards produce an knowledgeable conclusion of the Zune vs gamers other than the iPod line as very well.)

  95. The refreshing Zune browser is shockingly very good, yet not as optimistic as the iPod’s. It will work nicely, however isn’t really as quick as Safari, and is made up of a clunkier interface. If your self often software upon having the net browser that is not an issue, still if you’re building to study the world wide web alot versus your PMP then the iPod’s more substantial screen and better browser may well be major.

  96. Zune and iPod: Optimum These review the Zune in the direction of the Touch, nonetheless immediately after observing how slim and surprisingly reduced and light-weight it is, I take it to be a really one of a kind hybrid that brings together attributes of both the Contact and the Nano. It truly is unbelievably colorful and magnificent OLED show is marginally smaller sized than the touch screen, nonetheless the participant itself feels Really a bit smaller sized and lighter. It weighs regarding 2/3 as considerably, and is drastically lesser inside width and top, even though currently being particularly a hair thicker.

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