Endlose Weite der Territorien: Die Ordnung der Träume von Johannes Gierlinger

Ich habe ein wenig gewartet mit diesem Text. Das liegt daran, dass ich Johannes Gierlinger kenne und wir uns über Filme austauschen. Mein Name steht auch im Abspann seines Films. Dennoch liegt es mir am Herzen, darüber zu schreiben, weil Die Ordnung der Träume einer der wenigen Arbeiten des bisherigen Kinojahres ist, die zugleich das Gefühl einer Existenz in unserer Zeit vermittelt, als auch einen Widerstand gegen dieses Gefühl zu formulieren versucht. Das Bemühen um Objektivität gegenüber dem Film kann ich meinerseits dabei nur versichern.

Wie sehr die scheinbare Abwesenheit, der für den Film so wichtigen Städte an Italo Calvino angelehnt ist, wie sehr manche Bildkomposition oder Formulierung an Chris Marker erinnert, wie sehr die ewige Reise eine des Intellekts ist oder eine des Körpers, interessiert Die Ordnung der Träume nicht. Denn diese Fragen und assoziativen Leerstellen einer möglichen Kritik versickern hin zu einem gemeinsamen Traum des Bildermachenden und der Zusehenden. Ein Traum, der beständig endlos scheint, nie wirklich, immer angriffslustig. Der Film hangelt sich entlang assoziativer Bilderströme, bedrohlicher Musik, plötzlichem Humor und theoretischen Gesprächen in zwei Frau-Mann-Konstellationen und hin zu einem „zu viel“, in dem man nichts mehr wirklich greifen kann, ein Fleckenteppich an Eindrücken. Immer wieder zeigt der Film Hände in Nahaufnahme. Sie tasten beständig, versuchen Dinge zu bauen oder festzuhalten.

Die Ordnung der Träume

Es ist ein scheinbares Flanieren auf der Suche nach Ordnung zwischen Städten, die nicht wirklich erzählt werden. Man spürt, dass die Kamera Bilder aus Wien einfängt, aus Indien, aber auch von anderen Orten. Dazu eine Erzählstimme, die in Gedankenströmen das begleitet, was wir sehen. Die Greifbarkeit dieser Orte und Bilder ist kein Kriterium, ganz im Gegenteil ist es ihr Verschwinden hinter einem Erfahrungswirbel, der den Filmemacher interessiert. Statt eines Traums von der Ordnung entfaltet sich ein Durcheinander der Imagination und dazwischen die Ansätze in diesem Chaos die Übersicht zu wahren. Am deutlichsten zeigt sich die Unmöglichkeit dieses Unterfangens, wenn der Film ein Kapitel in seiner sowieso nie haltbaren Kapitelstruktur überspringt. Nicht das, was in diesem Kapitel hätte passieren können, ist entscheidend, sondern die Tatsache, dass man Kapitel überspringen kann. Wie soll ein Film eine physische Realität wiedergeben in einer Welt, in der Codes zwischen Blicken regieren? Wie soll sie sich an etwas festhalten, wenn alles immerzu weiter fließt? Was es in Die Ordnung der Träume sicher nicht gibt, ist Ordnung.

Zu diesem Treiben gesellt sich das Gefühl, dass alles was man hört, ein Zitat von etwas anderem ist, alles was man sieht, ist nur ein Begehren, jede Geste verweist immer aus sich heraus. So erzählt ein Protagonist an einer Stelle willkürlich Anekdoten aus dem Leben berühmter Schriftsteller. Honoré de Balzac habe 50 Tassen Kaffee getrunken, als er geschrieben hat. Hier und da wirkt der Text so, als gäbe es ihn nur wegen der Bilder. Darin könnte man leicht ein Problem erkennen, aber ist das ein Problem dieses Films oder der Welt, die er zeigt? Man darf keinen Fehler machen, so sehr sich der Film in politischen Statements ergreift, so sehr etabliert er auch ein Prinzip der Verführung. Nicht die brechtsche Verfremdung, sondern die Nahaufnahme von Augen regiert dieses Kino, das uns immer wieder sagt: Komm zu mir, lass dich fallen. So folgen wir einer der Protagonistinnen in einem Traum in einer stummen Zeitlupe in schwarz und weiß in den Wald oder lassen uns mit assoziativen Sprüngen von Bild zu Bild geleiten. Die Sinnlichkeit ist in sich schon ein Widerstand. Aber wohin fällt man? In den Diskurs des Unberührbaren und in ein immer weiter suchendes Argumentieren, das in der Suche selbst zum Material werden will. Am Anfang und am Ende des Films steht ein Radio. Ein Medium, mit dem nach Verbindungen gesucht wird. Kurz vor dem Ende sieht man ein Filmteam bei Dreharbeiten. Vielleicht ist das Kino die Maschine, die Ordnung in unsere Träume bringt? Vielleicht muss man weitersuchen. Was man sieht, ist die Unwirklichkeit.

Die Ordnung der Träume

Aber in dieser Unwirklichkeit findet sich eine Gegenbewegung zur vom Film evozierten und thematisierten Trance. Vielleicht ist es keine Gegenbewegung, sondern ein anderer Aspekt in der gleichen Richtung. Denn die Bilder wirken wie aus einer anderen Zeit. Nicht nur, weil Gierlinger auf Film dreht, was natürlich eine enorme Antwort auf die (digitale) Oberflächlichkeit dieses Fragmentenrauschs ist, sondern auch, weil er Bilder zeigt, die es so nur in einer anderen Welt geben kann, einer Welt, die sich wehrt: Menschen, die auf der Straße protestieren (rote Fahnen), Gespräche in Kaffeehäusern, Bücher, ein Klavier, ein ruhiger Moment an einen Baum gelehnt im Einklang mit dem Sonnenlicht. Dazu die Kleidung der Figuren, die man eher vor 50 Jahren in Frankreich erwarten würde. Selbst die Bildsprache passt sich dieser Methodik an, etwa durch die häufigeren Ransprünge und eine große Vorliebe für das Profil der Figuren. Inhaltlich geht es etwa um das Schreiben von Briefen. Es ist das Analoge, das hier erträumt wird. Dabei umgeht Gierlinger die Nostalgiefalle, in dem er alles in einer unwirklichen Dringlichkeit zeigt. Dasselbe gilt für die theoretischen Gedanken, die zwar formuliert werden, aber von der Präsenz und den Zweifeln im Bild aufgefangen werden, sodass man den Film erleben kann und nicht erdenken muss. Nirgends eine Spur von der Welt, in der wir leben. Es ist als würde Die Ordnung der Träume die Erfahrung einer Welt formulieren gegen die er sich wendet. Damit ist er auch Ausdruck dessen, was wir heute notgedrungen bereits als revolutionäre Geste wahrnehmen müssen: Das Nutzen analoger Möglichkeiten und das Träumen. Als könnte man nur blicken, wenn man schon strauchelt.

Aber was ist dieser Blick? Diese Frage steht wohl im Kern dieser unordentlichen Träume. Gierlingers Blick streift umher, findet immer schon den nächsten Blick im vergangenen und vor allem den vergangenen im nächsten Blick. Auch wenn der Film mit dem Motiv des Flaneurs spielt, geht es mehr um die Suche. Es ist nur die Vielfalt und Vieldeutigkeit der Antworten, die den Eindruck vermitteln, dass gar nicht gefragt wird. Der Film fragt trotzdem und das muss man ihm hoch anrechnen. Er träumt eben.

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  72. Zune and iPod: Utmost people look at the Zune toward the Contact, still when watching how slim and astonishingly low and mild it is, I get it in the direction of be a quite distinctive hybrid that brings together qualities of equally the Contact and the Nano. It really is unbelievably colorful and magnificent OLED exhibit is slightly more compact than the touch screen, however the player alone feels pretty a little bit lesser and lighter. It weighs with regards to 2/3 as considerably, and is significantly smaller in just width and peak, even though getting precisely a hair thicker.

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  74. I’m impressed, I have to say. Actually rarely do I encounter a blog that’s each educative and entertaining, and let me inform you, you may have hit the nail on the head. Your idea is outstanding; the issue is one thing that not enough persons are talking intelligently about. I’m very completely satisfied that I stumbled across this in my seek for something relating to this.

  75. I’ve learned some important things as a result of your post. I will also like to mention that there might be situation that you will have a loan and never need a cosigner such as a Federal government Student Support Loan. In case you are getting a loan through a traditional loan service then you need to be willing to have a cosigner ready to make it easier for you. The lenders will base their own decision using a few aspects but the greatest will be your credit ratings. There are some loan merchants that will in addition look at your job history and make a decision based on this but in most cases it will depend on your scores.

  76. This is using a bit extra subjective, nonetheless I a great deal like the Zune Market place. The interface is vibrant, consists of much more aptitude, and some great options which includes ‚Mixview‘ that allow your self quickly check out related albums, new music, or other buyers similar towards what you’re listening to. Clicking upon one particular of people will heart on that solution, and one more fastened of „neighbors“ will appear into opinion, enabling oneself in direction of navigate in excess of researching by way of similar artists, new music, or users. Talking of people, the Zune „Social“ is too best fun, allowing oneself discover many others with shared choices and turning out to be buddies with them. Your self then can hear in direction of a playlist manufactured dependent upon an amalgamation of what all your mates are listening in the direction of, which is also interesting. People nervous with privateness will be relieved in the direction of comprehend your self can avoid the general public in opposition to watching your specific listening practices if you so opt for.

  77. I’ll gear this evaluation in the direction of Two products of human beings: present Zune house owners who are taking into consideration an improve, and us residents hoping in direction of make your mind up amongst a Zune and an iPod. (There are other gamers value considering out there, together with the Sony Walkman X, however I anticipate this presents oneself ample facts to make an aware conclusion of the Zune vs gamers other than the iPod line as nicely.)

  78. I’ve been browsing online more than 3 hours today, yet I never found any interesting article like yours. It’s pretty worth enough for me. In my opinion, if all website owners and bloggers made good content as you did, the net will be much more useful than ever before.

  79. The refreshing Zune browser is shockingly very good, nonetheless not as favourable as the iPod’s. It will work properly, yet is just not as quick as Safari, and has a clunkier interface. If by yourself often method upon using the web browser that’s not an issue, nonetheless if you’re coming up with in direction of browse the net alot towards your PMP then the iPod’s greater show and better browser might be necessary.

  80. We are a group of volunteers and starting a new scheme in our community. Your web site offered us with valuable info to work on. You’ve done an impressive job and our entire community will be grateful to you.

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