Diagonale 2017: Eine Geschichte Pop. This is not America – Austrian Drifters

In einem ersten Text zur Diagonale 2017 ging es um den Vergleich als Aufgabe der Festivalprogrammierung. Filme werden auf Festivals aktiv in Beziehungen zu anderen gesetzt. Praktisch fängt diese Vergleichsarbeit noch vor der Auswahl der Filme an, bei der Einteilung in unterschiedliche Sektionen – auf der Diagonale beispielsweise: „Spielfilm“, „Dokumentarfilm“ oder „Innovatives Kino“. Eine solche pragmatische Festlegung mag tatsächlich der Übersichtlichkeit eines Programms dienen. Die Gruppierung von Filmen nach vermeintlichen Gattungsgrenzen ist zudem an den Kategorien der Filmindustrie und Produktion orientiert; die Diagonale erweist sich hier auch als Branchentreffen. Andrey Arnold kritisierte in seinem Text für Die Presse zur diesjährigen Diagonale, dass sich die gezeigten Filme oft zu einfach ihren eigenen Gattungsgrenzen ergäben und zu selten den Übertritt wagten. Zu der von Andrey beschriebenen Abhängigkeit von einer Produktions- und Förderpraxis, die diese Grenzverletzungen zu verhindern sucht, tritt eine Programmierung, die in den Wettbewerbsprogrammen keinen Wert darauf legt, Grenzen abzutragen und mögliche Überschreitungen durch eine freiere Vergleichsarbeit herauszustreichen.

In dieser Arbeit des Festivals erscheint der einzelne Vergleich häufig als eine Festlegung, die von außen an den Film herantritt. Doch der gelungene, aufschlussreiche Vergleich ist dem Film nie äußerlich, sondern vielmehr eine Forderung, welche vom Film selbst ausgeht, demnach ein Angebot der referenziellen Struktur des Films. Weil dieses Angebot immer ein Überangebot ist, steht ein Programmkurator vor der Aufgabe, im unerschöpflichen Überschuss des Gesehenen abzuwägen zwischen den breiten Wegen und den schmalen Pfaden, zwischen Verbindungsstraßen und Sackgassen, zwischen intuitivem Orientierungssinn und dem Vorgehen mit Karte, Kompass und Begriff. Welche Route einzuschlagen lohnenswert ist, kann sich nur am konkreten Beispiel erweisen. Allgemein lässt sich wohl einzig sagen, dass der Vergleich und das Programm (und auch die Filmkritik), statt sich durchs Dickicht zu einem vorher festgelegten Ziel zu kämpfen, sich zunächst treibend den Spuren der Filme überlassen sollten. It´s a matter of drifting.

A matter of drifting

„This is not America: Austrian Drifters“ heißt der Beitrag des Österreichischen Filmmuseums zum historischen Schwerpunkt der Diagonale 2017: „Pop-Special: 1000 Takte Film“, welches die Beziehung des österreichischen Filmschaffens zur Popkultur untersuchen möchte. Abseits der branchennotwendigen Kategorisierungen hat Alejandro Bachmann mit Unterstützung der beiden Intendanten Sebastian Höglinger und Peter Schernhuber ein 6-teiliges Programm gestaltet, das eine historische Annäherung an einen Pop-Begriff versucht, ohne die ausgreifende Energie (das Leben?) der Filme dabei im Begriff zu ersticken. Der Begriff stellt sich als Frage, nicht als Antwort, und initiiert so eine treibende Bewegung, die führt, ohne genau zu wissen wohin.

Programme machen wie Road Movies. Der Blick öffnet sich nach rechts und links, im Schritttempo vorbei an Münchner Vorstädten, Baustellen, Industrielandschaften zur Musik von Creedence Clearwater Revival. Wim Wenders‘ 3 amerikanische LP´s (1969) beginnt kurz zuvor auf einem Balkon in einer Neubausiedlung, eine rauchende junge Frau verstellt den Blick auf eine Totale, tritt aus dem Bild, das da als Antwort auf die vorher im Off-Kommentar (geschrieben von Peter Handke, deshalb läuft der Film hier) geäußerte Forderung steht: „Man müsste Filme machen über Amerika, die nur aus Totalen bestehen. In der Musik gibt es das ja schon. Also in der amerikanischen Musik.“ Die strenge, erhöhte Komposition weist hinaus auf die archivarisch-distanzierten Bilder der New Topographics, mit denen amerikanische Fotografen in den 1970er Jahren den öffentlichen Raum und seine Zeichen vermessen sollten. Van Morrisons Slim Slow Slider liefert den Soundtrack: „And I know you won´t be back.“ Sehnsucht überwältigt die neutrale Distanz des Bildes, der Ort verweist auf ein abwesendes Leben und Erleben, ähnlich den übrig gebliebenen Zeichen des Americana und den entleerten öffentlichen Räumen, die Stephen Shore auf seinen Reisen durch die USA fotografiert hat. Aber was bei Stephen Shore durch leuchtende Farben in melancholischer Schönheit erstrahlt, ist bei Wenders in braun-grau ausgewaschen. This is not America. Später wird Wenders auf seine Fahrten durch München fündig: ‚amerikanische Orte‘, ein Autokino mit großem Coca-Cola Plakat, eine Tankstelle. Wichtiger aber noch, dass Wenders die Kamera ins Auto versetzt, in den amerikanischen Fortbewegungsmodus schlechthin. Das Vorbeiziehen der Stadtlandschaften erweist sich als enttarnende Verkleidung, die aufdeckt, was fehlt. This is not America. In der Reinszenierung entsteht eine doppelte Sehnsuchtsstruktur: eine andere Zeit, ein anderer Ort. Dann, dort: ein anderes Leben.

Sugar Bowl Restaurant von Stephen Shore

Sugar Bowl Restaurant von Stephen Shore

Rainald Goetz hat einmal in Abwandlung von Rilkes Archaïscher Torso Apollos geschrieben, die sich immer wiederholende, augenblickliche Forderung des Pop, sei diese: „Du musst dein Leben ändern.“ Die Sehnsucht und Suche nach einem anderen Leben bestimmt auch Langsamer Sommer (1976) von John Cook, der im ersten Teilprogramm der Reihe auf den Eröffnungsfilm von Wenders folgt. Bei Wenders war diese Suche noch konzentriert auf eine andere Bildproduktion, ein anderes Leben der Bilder. In Cooks Film greift sie nun aus dieser öffentlichen Dimension über ins Private.

In der Ununterscheidbarkeit von dokumentarischen und fiktiven Formen, vermischen sich Leben und Filmemachen. Zu Anfang des Films besucht John Cook selbst seinen Freund Helmut in dessen verdunkelter Wohnung, sie trinken Bier, John stellt einen 16mm-Projektor und ein Tonbandgerät auf. Sie spielen einen Film ab, eben jenen den auch wir die nächsten 70 Minuten sehen werden; dazu sprechen sie einen spontanen Tonkommentar ein: ein Sommer vor einigen Jahren. John und Helmut ziehen durch Wien. Zwielicht kündigt den Morgen an, noch sind nur wenige Autos unterwegs und man kann mit den Füßen Schlängellinien in den regennassen Asphalt malen. Wie sie da in der Mitte der Straße gehen – Helmut mit Sonnenbrille; John amerikanischer, in grober Weste und weitem Hemd –, sind sie ganz alleine in ihrer Coolness. Aus dem Off hören wir Helmut und John die Bilder ihres Lebens kommentieren. Sie stellen sich gegenseitig vor. Helmut fragt John, wann das gewesen sei; Cook antwortet, das sei im Sommer 72` gewesen, schau wie fröhlich wir da waren.

Langsamer Sommer von John Cook

Langsamer Sommer von John Cook

In der Folge sehen wir John und Helmut in einer nicht enden wollenden Bewegung durch den Sommer 72` schlendern, immer auf der Suche nach Orten und Menschen, mit denen ein anderes Leben möglich wäre: sie sitzen in Cafés, befahren mit dem Cabrio die Stadt, trinken viel, reden über vergangene Lieben, lernen ein Fotomodell kennen, organisieren ein Shooting, versuchen Johns Film fertigzubringen und treffen ein befreundetes Ehepaar, mit dem sie einen verschlafenen Nachmittag auf einem Landhaus außerhalb Wiens verbringen. Die Utopie eines anderen Lebens ist hier am nächsten, dösend unter Apfelbäumen, abseits der unempfänglichen Stadt, die den beiden kein Gefährte sein will. Aus dem Off erzählt John von einer Hoffnung die er damals hatte, aber nicht aussprach: dass man zusammen einen Film machen könne, sie vier und die Kinder. Die Gegenwarts-Obsession des Pop öffnet sich: die Möglichkeit des zukünftig anderen Lebens tut sich auf im Blick zurück. Sehnsucht ist eine Bewegung, die durch erinnerte Vergangenheiten und imaginierte Zukünfte wandert, und nur ab und an dabei die Gegenwart streift.

Irgendwann ist die Heimprojektion vorbei. John und Helmut sitzen auf dem Sofa, der Film ist kommentiert und fertig. Er fasst all die Bewegungen der Sehnsucht des Sommers `72, ist in seiner Bewegtheit vielleicht die Sehnsucht selbst, sowie der Keim einer neuen Sehnsucht, die sich langsam im dunklen Kinosaal ausbreitet. Zugleich ist der Film aber eben auch die Erfüllung dieser Sehnsucht, vielleicht die einzig mögliche.

Der dritte Film des ersten Teilprogramms ist nur wenige Minuten lang und doch fügt er den Wirkungsdimensionen von Pop – Bildproduktion bei Wenders, privates Leben bei Cook – noch eine dritte hinzu: das politische Leben. Gezeigt wird das Fragment eines Mitschnitts vom Live-Auftritt Leonard Cohens in der 1976 besetzten Wiener Arena. Die private Sehnsucht nach dem unbestimmten Anderen übertragt sich, durch die Musik kanalisiert, auf das Publikum und schafft eine Gemeinschaft, die einem gemeinsamen Bewegungsimpuls folgt. In den Gesichtern der Menschen, die um Leonard Cohen im Kreis auf dem Boden sitzen, sehen wir, wie dieser Impuls jeweils individuell ausagiert wird. Das utopische politische Potenzial des Pop liegt darin, durch eine gemeinsame Bewegung, für einen Augenblick, eine Gemeinschaft aus maximal individualisierten Einzelnen zu formen.

Andreas Vitasek

Das coole Wissen

Das zweite Teilprogramm geht der Frage nach dem Verhältnis von Individualisierung und Gemeinschaftsbildung nach. Niki Lists Malaria (1982) spielt zehn Jahre nach Langsamer Sommer  und verfolgt in einem fiktiven Wiener Szenetreff über einen Abend die Individuationsrituale und Annäherungsversuche der Jugendlichen. Die Ausgehvorbereitungen der Barkeeperin eröffnen den Reigen der hochspezialisierten Styles, Sprachen und Gesten. In klassischer Expositionsdramaturgie treffen nach und nach die verschiedenen Typen einer mittlerweile ausdifferenzierten Poplandschaft in ihrem Laden ein. Es treten auf: zwei linke Späthippies, die sich sofort nach dem Hinsetzen in lasche aber demonstrativ an marxistischem Vokabular geschulte Diskussionen vertiefen, ein Brando-Verschnitt, der den Abend mit Bieren und amerikanischen Phrasen am Tresen verbringt, ein paar hochnäsiger Dandys, die sich in englischer Ironie von den vermeintlichen Absonderlichkeiten der restlichen Belegschaft distanzieren, zwei coole Freundinnen, die die Anmache eines einsamen Poppers in rosarotem Jackett und gelber Bienenkrawatte gekonnt ignorieren, uvm.

Einer codierten Choreographie folgend betreten die Paare und Einzelgänger den Ort ihrer gestillten Sehnsucht. Hier soll es also sein, das andere Leben. Das Lokal selbst fällt ein in den starren Synchrontanz. Im Rhythmus der Musik aus dem Tapedeck blinken die Lichter der Kaffeemaschine, die mit fast lächerlicher Akkuratesse angerichteten Cocktails stimmen sich farblich mit den Neonlichtern der Einrichtung ab, aus der Theke wächst auf Zuruf ein Bier und im Kamerablick wird das Plakat an der Wand zum Spiegel für den unbewegten Mann davor. Dieses bis in letzte Detail codierte Universum aus Zeichen und Zitaten versagt jede spontane Bewegung. Rhythmische Abweichung wird mit Nichtbeachtung gestraft. Die Kamera teilt den Raum streng in spezialisierte Parzellen auf, hier ihr, hier wir, alles an seinem Platz. Die Besucher der Bar werden im Netz der Codes zu Gefangenen. Gemeinschaft ist unmöglich, die Typen stehen wie Einrichtungsgegenstände nebeneinander, der am anderen Tisch ist zu anders, der am gleichen Tisch zu gleich für ein Gespräch, das über selbstbestätigende Monologisierung hinausgehen würde. Das Popuniversum ist eingefroren im Moment seiner Verwirklichung. Die stetig wandernde Bewegung des Langsamen Sommers und die damit verbundene Utopie sind am Ende angekommen: In einer Bar namens „Malaria“. Selbst das noch Code für die große Dekadenz.

„Malaria“, so ist es in geschwungener Neon-Schrift von draußen, von der Straße zu lesen und doch als Teil des „coolen Wissens“ nur von wenigen zu deuten. In der markierten Abgrenzung nach Außen wird Pop sich wieder als gemeinsame Distinktion vom `normalen´ Leben bewusst. Als zu später Stunde ein Polizist den Laden betritt und voller Unverständnis für die seltsamen Vorgänge in dieser unbekannten Welt eine Frage nach der anderen stellt, kommt plötzlich Bewegung auf. Der falsche Amerikaner am Tresen legt ein neues Tape ein, der Bewusstlose am Boden steht zum Saxophon-Solo wieder auf und der Tanz geht los: „Komm tanz mit mir, mir ist so heiß!“ Wie auf Kommando löst sich die strenge Ordnung auf, jeder tanzt mit jedem, eine ausschweifende gemeinsame Bewegung durchfährt den Raum. Das ist der große Pop-Moment, im Exzess feiert der Film doch noch seine irrationale, für den Moment absolute Affirmation dieser Welt. Er wird so selbst zum Pop-Ding ohne seine klare Analyse der Erstarrung einer verwirklichten Pop-Welt dabei zu entwerten. Möglicherweise bietet er sogar eine Lösung an: Chaos. Im Chaos der Zeichen wird jede Lesbarkeit in Widersprüche aufgelöst ohne dabei auf die individualisierenden Codes selbst zu verzichten. Die Distinktion nach außen bleibt bestehen, ohne dabei im Inneren zum Stillstand durch eindeutig lesbare Zuschreibungen zu führen.

Kiss Daddy Good Night von Peter Ily Huemer

Kiss Daddy Good Night von Peter Ily Huemer

Mit dem Langfilm des dritten Programms Kiss Daddy Good Night (1988) von Peter Ily Huemer, sind wir in Amerika angekommen, am endgültigen Sehnsuchtsort. Zu spät, das Chaos ist hier schon zum Prinzip einer düsteren Manhattan-Noir Welt geworden. Uma Thurman spielt in einer ihrer ersten Filmrollen eine Jungfrau mit unschuldigem Gesicht, die sich im Laufe des Films als Verführerin in unzähligen Verkleidungen erweist. Wie Huemers Film aus der New Yorker Szene kommend, überschreitet sie immer wieder die Grenze zur High-Art Welt der Upper Eastside um wohlhabende Männer abzuschleppen, die sie anschließend in ihren Wohnungen mit KO-Tropfen betäubt und beraubt. Dem Zweck des Lebensunterhalts dient das nicht, vielmehr der Aufregung des Spiels und der Maskerade. Was sie von ihren Beutezügen mitnimmt folgt keinem erkennbaren System, wertvoll muss es sein und dem Moment gefallen. Am Ende landet alles als großer Haufen auf ihrem Schminktisch. Artefakte der unterschiedlichsten Zeiten und Stile liegen da übereinander.

Huemer inszeniert diese Kunstwelt ‚Manhattan‘ zwischen teuren Auktionen, schicken Restaurants, dreckigen Highway-Unterführungen und heruntergekommenen Kleinstwohnungen als dissonante Überlagerung der Lebenswelten und Zeiten. Der gentle old man, der die Wohnung nebenan bewohnt, hat sich eingerichtet in einer schwarz romantischen Zeitkapsel mit düsterem Mobiliar, schweren Vorhängen, dunklem Rotwein, dekadenten Versen und weißem Kaninchen im Käfig. Als Doppelgängerin seiner verschwundenen Tochter verehrt er die junge Schöne von nebenan, bei der den ganzen Tag der aufgeregte Schein der ewigen Cartoonschleifen aus der Röhre strahlt.

Man lebt in einer Welt der Zitate, Zeichen und Verweise, die aber kein stabiles Gesamtbild mehr ergeben. Der Kontrast ist Strukturprinzip ohne jemals einer dialektischen Auflösung zugeführt zu werden. Die Bilder saufen ab oder überstrahlen einander, auf der Tonspur dröhnt ein New Wave Song über dem anderen. Die reinen Oberflächen aus Malaria sind in maximal unruhiges Chaos überführt. Hinter allem lauert sein Gegenteil, von allen Seiten droht der Einbruch. Der nette ältere Herr beginnt Uma Thurman zu verfolgen, in seiner neo-gotischen schwarzen Limousine jagt er sie durch die kahlen Straßenschluchten New Yorks. In der Montage ihrer Flucht scheint das ikonische Bild rasend vorbeiziehender Baumwipfel aus Das Testament des Dr. Mabuse auf, hier wie dort ist es Bild der Paranoia und des Wahnsinns. Am Ende wird der alte Mann von ihr in Notwehr erstochen und stirbt in ihren Armen. Von nun an geht sie mit dem jungen Mann, der sich irgendwann mitsamt seines leeren Gitarrenkoffers bei ihr eingenistet hat. Die Pop-Welt ist noch einmal gerettet, die beiden liegen gemeinsam im Bett vor dem ewig flimmernden Fernseher. Aber das Spiel ist vorbei, der Tod hat Eingang gefunden in die geschützte Pop-Welt und die Abgrenzung von einer Alltagswelt, die sich den chaotischen Zeichenstrukturen des Pop stetig annähert, wird zunehmend schwerer fallen. Mit dem Verlust der klaren Zeichen und eines einheitlichen Rhythmus ist die notwendige Distinktion in Gefahr.

Eiszeit von Wolfgang Strobl

Eiszeit von Wolfgang Strobl

Das vierte Teilprogramm, welches sich den dokumentarischen Formen des Aufeinandertreffens von Film und Pop in Österreich widmet, wartet mit einer echten filmhistorischen Ausgrabung auf. Eiszeit (1983), der 30-minütige Zweitsemesterfilm des ehemaligen Wiener Filmstudenten Wolfgang Strobl, verkompliziert das Problem der Abgrenzung weiter. In einer eklektizistischen Montage von Aufnahmen aus der Wiener Punkszene, wilden Weitwinkelbildern der abendlichen Tanzexzesse im U4, Überwachungsbildern der Wiener Linien, Straßenaufnahmen eines futuristischen Neon-und-Glas Wiens, sowie Interviews mit jugendlichen Punks und Wiener Honoratioren vermischen sich Szene und bürgerliche Gesellschaft zu einem Gesamtbild, das über die Dokumentation einer Pop-Welt hinausgeht.

Wir sehen ein paar sehr junge Punker vor einer Abrissbude sitzen, sie trinken, rauchen, versuchen einen geraden Satz in die Kamera zu sagen, werden abgelenkt von Leuten aus dem Hintergrund, ein latent gewaltsamer Tumult entsteht und wieder abebbt. Später noch einmal vier Jungs die versuchen ihre Überzeugungen zu formulieren, die Gründe für ihre militante Ablehnung der bestehenden Gesellschaft. Direkt darauf: Ein Wiener Politiker sitzt auf einem thronartigen Stuhl und redet über die Jugend, die er ja verstehe und deren politisches Bewusstsein er bewundere. Was der Schnitt suggeriert: Sitzt der im selben Raum? Die vorgeblich verständnisvollen Aussagen des Politikers tragen eine seltsam zersetzende Gewaltsamkeit in sich. Eine Abgrenzung ist nicht mehr möglich, bei Strobl beginnt die große Inklusion. Die aus dem Off eingespielten Interviews mit Jugendlichen zeigen deren Fortschritt an. Da wird die fehlende Gemeinschaftlichkeit der Szene und ihre Oberflächlichkeit bedauert. Die Rhetoriken der vermeintlichen Gegner werden zunehmend ununterscheidbar.

Strobl lässt die Orte der Szene im Schnitt mit denen der bürgerlichen Gesellschaft zusammenfallen. Mit Mitteln, die dem Experimentalfilm nahestehen, schafft er überraschende Verknüpfungen, basierend auf fast abstrakt verstandenen Bildmotiven. Die aufblitzenden farbigen Neonlichter eines Szeneclubs gehen über in die blinkenden Signallichter eines Schaltpultes, die gedrängten Menschen in der U-Bahn folgen auf die tanzende Menge im U4. Er speist die Bilder ein in den mechanischen Kreislauf einer Gesellschaft, in dem die Zeichen nicht mehr der Kontrolle derer unterliegen, die sie hervorbringen. Es wird eng in Wien, mit den freien Räumen verschwinden auch die freien Bilder.

Die schockierendste Szene in Strobls brachialem Film montiert die Fahrt durch einen Wiener U-Bahnschacht mit den äußerst expliziten Aufnahmen einer blutigen Geburt. Es sind die Bilder einer Gewalttat, hinter den kalten Betonwänden steckt eingezwängt der menschliche Körper, er wird in eine ebenso kalte Welt entlassen.

Kalkito Clips Vol. 1 von Dietmar Brehm

Kalkito Clips Vol. 1 von Dietmar Brehm

Der Körper hinter den Codes

Das fünfte Teilprogramm mit dem Namen „Avant-Pop Special Report“ scheint die Geburtsszene aus Strobls Film aufzugreifen. Nachdem Malaria und Kiss Daddy Goodnight den Körper als Zeichenmaterial verwendet haben, als eine möglichst reinzuhaltende reflektierende Oberfläche, die von sich selbst fortweist, zeigte Strobl den verletzlichen und organischen Körper als den vergessenen Grund und Abgrund hinter den Oberflächen. Mit der Suspendierung des Körpers verbannt Pop auch alles was an Tod und Vergänglichkeit erinnern könnte. Das Ideal des ewigen Augenblicks ist eines, das dem Körper als Fleisch entbehrt.

Zwei zentrale Arbeiten des Experimentalfilm-Programms – die Kalkito-Clips Vol. 1 (2014) von Dietmar Brehm und Satellites (2011-2012) von Karin Fisslthaler – decken auf, inwiefern die Auseinandersetzung mit dem Körper als lebender und deshalb sterblicher Organismus Motiv der Popkultur war und ist.

Im ersten von Brehms Musikclips sehen wir zu Lou Reeds Temporary Thing die feststehende Einstellung eines Totenkopfs. Die in regelmäßigen Abständen wechselnde monochrome Einfärbung des Bildes erinnert an die Arbeit mit schattierten Farbflächen in der amerikanischen Pop-Art, aufgrund der motivischen Gemeinsamkeit besonders an die Serie Skulls von Andy Warhol. Was auf der Leinwand zu einer Beruhigung des Motivs, auch zu Zweidimensionaliät führt, hat im Medium des Videos einen gegenteiligen Effekt. Im Grundflackern der Videobilder scheinen die Flächen zerreißen zu wollen. Der Totenkopf wird nicht wie bei Warhol in Farbe einbalsamiert, noch das eh schon Tote ist bei Brehm von Zersetzung bedroht.

Skull von Andy Warhol

Skull von Andy Warhol

In einigen weiteren Clips von Brehm sehen wir pornographisches Material, das in schwer zu ertragenden Wiederholungsstrukturen von jeglicher Erotik und sexueller Identifikationskraft befreit wird. Durch die Bearbeitung des Materials schwindet auch jegliche Identität aus den Bildern, es ist schwer zu sagen wer da zu sehen ist und wie das verwendete Material zu datieren ist. Was bleibt ist der mechanische und gewaltsame Akt der pornographischen Aufnahme selbst. In einem der Clips wird das so verwendete pornographische Material zudem mittels einer einfachen Montage in eine voyeuristische Situation eingespannt. Zwei Männer kontrollieren die pornographische Szene. In der tautologischen Vervielfältigung des männlichen Blicks zeigt Brehm diesen als Strukturmerkmal des verwendeten Materials auf und schafft gleichzeitig im Rhythmus der Wiederholungen eine seltsame Art von ironischer Distanz.

Brehms Arbeiten sind sehr schmerzhafte, harte, kalte Stücke, die den Zuschauerkörper ebenso attackieren, wie sie die tatsächlich gewaltsamen und morbiden Implikationen aufzudecken scheinen, die in der gespielten Musik – The Velvet Underground, Lou Reed, Iggy Popp – und unter der Pop-Oberfläche überhaupt stecken.

Satellites von Karin Fisslthaler

Satellites von Karin Fisslthaler

Karin Fisslthaler geht in ihrer Arbeit Satellites wesentlich behutsamer mit Bild und Körper um. Zuerst sind da nur Körper, die aufeinander zustreben, Hände, die Schultern streifen, Hälse umgreifen, zueinander finden in zielstrebigen doch zärtlichen Bewegungen. Augenscheinlich sehen wir eine Montage von Ausschnittsvergrößerungen aus Youtube-Clips. Umkopiert auf analoges Filmmaterial haben sie die Schroffheit des digitalen Materials weitgehend abgelegt und die organischere Qualität des 35mm-Materials angenommen. Doch was verbindet diese Gesten, Handgriffe und Posen?

Die rhythmischen Bilderfolgen wirken wie die Aufzeichnung einer fremden Kulturtechnik in einem ethnographischen Film, wie ein Tranceritual, das uns selbst in Trance versetzen soll. An den Details und zeitweise auftauchenden Gesichtern wird allerdings klar, dass diese Jugendlichen aus unserer Welt kommen. Fisslthaler zeigt uns da etwas Verborgenes, etwas, das unsere Welt bewohnt aber nicht für unsere Augen bestimmt ist. Aufgrund der Quelle der Bilder, scheint diese Überlegung absurd zu sein. Theoretisch hätte jeder im Internet die Möglichkeit, diese Bilder anzusehen. Fisslthaler zeigt in diesem Widerspruch zwei Mechanismen auf, die für die digitalisierte Pop-Kultur im 21. Jahrhundert entscheidend sind. Erstens gibt es natürlich eine Zugriffsbeschränkung, die in der Verteilung des Wissens über solche Videos liegt. Im Netz bilden sich wie in der Stadt voreinander abgeschlossene Szenen, die zu einem gewissen Grad Insiderwissen vermitteln. Zweitens wird dieses Insiderwissen häufig benötigt um das Gesehene, Gehörte und Erlebte überhaupt einordnen und interpretieren zu können.

Erst nach ein paar Minuten stellt sich heraus, was alle diese Videos gemein haben: Sie zeigen Ohnmachtsrituale, mit denen sich Jugendliche gegenseitig willentlich in einen kurz anhaltenden Zustand der Bewusstlosigkeit versetzen. Wenn der erste umkippt und etwas unsanft auf dem Boden aufschlägt ist das dennoch überraschend. Doch Fisslthalers Blick auf den Reigen der jugendlichen Körper verfügt über Insiderwissen auch wenn er nicht mehr Teil der Szene ist. Er betont hier eben nicht die Gewaltsamkeit des Aufschlags, sondern verlangsamt die Geschwindigkeit der Aufnahmen und des Schnittrhythmus und gewinnt der körperlichen Grenzerfahrung eine zutiefst zärtliche Dimension ab. Was ich anfangs für Vergrößerungen aus Sexvideos oder mitgefilmten Schlägereien hielt, erweist sich hier als beides, als liebevoll und gewalttätig, als Engführung von Eros und Thanatos, die zu einer flackernden Ununterscheidbarkeit führt.

Sauve qui peut (la vie) - Jean Luc Godard (1980)

Satellites führt im Vergleich zu Brehm in die entgegengesetzte Richtung; Brehm fördert den Tod im noch lebendigen Körper zu Tag, vor allem in der Sexualität, während Fisslthaler in Gewalt und körperlicher Enderfahrung die Erotik und Zärtlichkeit der Berührung findet. Sei ist bei einer Form von Popkultur angekommen, deren Zeichen nicht mehr vom Körper fortweisen, sondern selbst körperlich geworden sind. Das „coole Wissen“ ist eine Liaison mit dem Fleisch eingegangen.

Und was für eine. Im sechsten und letzten Programm werden die großen Linien des Programms noch einmal aufgegriffen und in der Popdepression der 90er Jahre zusammengeleitet. Der Omnibusfilm Slidin‘ – Alles bunt und wunderbar (1998) bezieht sich in seinem ironischen Titel bereits auf die Bewegung des Drifters, die in Langsamer Sommer noch als der Weg der Sehnsucht zum großen Popversprechen, zur Utopie erscheint. In der ersten der drei Episoden des Films wird beispielhaft deutlich, wo der Unterschied zwischen dem ist der treibt, auf einer Welle, in einer Strömung, und dem der gleitet, weil er keinen Halt findet. Barbara Albert inszeniert die Wanderungen zweier 14-jähriger Mädchen durch Wien, als verzweifelte Zwangsbewegung zwischen Shopping Mall und Großraumdisko. Spaß macht das alles nicht, aber was soll man sonst tun? „Komm, ich kauf dir was.“ sagt Petra zu Manu und sie gehen in den nächsten Laden. Was ist schon längst egal, es ist nur noch die leere Imitation eines Bewegungsmusters übrig. Selbst die kleinen Momente auf die sich der Pop immer verlassen konnte, das Rauchen, das Trinken, der Spielautomat, die Fahrt durch die Nacht, der Kuss, der Tanz bringen keinen Genuss mehr.

Slidin' – Alles Bunt und Wunderbar von Barbara Albert, Reinhard Jud und Michael Grimm

Slidin‘ – Alles Bunt und Wunderbar von Barbara Albert, Reinhard Jud und Michael Grimm

Eine Gemeinschaft entsteht hier nie, die Beziehungen der Beiden zu anderen Jugendlichen bestehen nur auf der Basis von Tausch- und Nutzverhältnissen. Das coole ältere Mädchen, die die in der Shopping Mall bei den Spielautomaten arbeitet, braucht nur eine die sie nach Hause bringt, wenn sie betrunken ist und alle Anderen sie verlassen haben. Schauderhaft unaufgeregt zeigt der Film, wie Georg Friedrich, der einen Ladenbesitzer spielt, die beiden nach Ladenschluss bei sich behält und Petra nach einem Sekt zum Sex nötigt. Anschließend schenkt er ihr die Jacke, die sie vorhin so toll fand. Von Anfang weiß man worauf diese Szene hinauslaufen wird, wir wissen es, die Mädchen wissen es, aber nie gibt es einen Moment der Verweigerung. Man hat sich einem popkulturellen Code unterworfen, der über die Körper verfügt. Wer cool sein will, darf sich nicht so haben. Petra lässt es also regungslos auf dem Bauch liegend über sich ergehen. Nur die Jacke nimmt sie nicht an. Später bringt Friedrich die Mädchen nach Hause. Nichts passiert.

Die Abgrenzung der Popkultur von einer bürgerlichen Gesellschaft, besteht hier nicht mehr im Selbstentwurf einer anderen Identität oder eines anderen Lebens, sondern lediglich in der Steigerung und im offenen Ausleben von schon angelegten Strukturen. Was in den 60er Jahren unter dem Begriff „freie Liebe“ auf die repressive Sexualmoral einer unterschiedenen bürgerlichen Gesellschaft hingewiesen hat, ist hier pervertiert. Der hemmungslose und fetischisierte Umgang mit Sexualität in Slidin‘ bildet keine Sehnsucht mehr ab, er lebt nur offen sichtbar aus, was, etwas versteckter, auch Teil der Leitkultur ist.

Das Ende?

Wenn der Code keine Sehnsucht mehr verschlüsselt, sondern nur die Wiederholung eines schon einmal gebrauchten ist, wenn die Inklusion in eine kapitalistische Leitkultur abgeschlossen ist, dann ist Pop zu Ende. Was wird dann aber aus Austropop 2.0 und allem anderen das wir heute wohl zurecht als Pop bezeichnen?

Ein Filmprogramm kann als ausschnitthafter Vergleich keinen Anspruch darauf erheben, eine endgültige Aussage zu machen. Auch dieses nicht. Die Frage, was Pop eigentlich ist und wie die Wechselbeziehung von Film und Pop in Österreich letztendlich zu bestimmen ist, bleibt offen. Und doch traut das Programm sich eine historische Narration anzubieten, statt es bei einem Best-of zu belassen. In sechs mal zwei Stunden kann man hier eine Version der Verquickung von Pop und Film in Österreich sehen und erleben. Der vage Begriff der dabei von Pop entsteht, mag zum Ende des letzten Programms ausgesorgt haben. Aber solange ein Film wie Langsamer Sommer noch Sehnsüchte weckt, ist Pop nicht vorbei. Man könnte bei Slidin‘ mit einem nächsten Film anschließen und zeigen wie es doch weitergeht. Der Begriff würde folgen.

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  60. Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.

  61. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass‘ favor.

  62. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass‘ favor.

  63. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  64. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  65. Sorry for the huge review, but I’m really loving the new Zune, and hope this, as well as the excellent reviews some other people have written, will help you decide if it’s the right choice for you.

  66. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  67. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  68. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  69. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  70. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  71. Sorry for the huge review, but I’m really loving the new Zune, and hope this, as well as the excellent reviews some other people have written, will help you decide if it’s the right choice for you.

  72. I simply want to mention I am very new to blogging and actually liked you’re web blog. Probably I’m want to bookmark your website . You definitely have really good posts. Thanks a lot for revealing your blog.

  73. An intriguing discussion might be priced at comment. I do believe you should write on this topic, it might certainly be a taboo subject but usually individuals are too little to speak on such topics. Yet another. Cheers

  74. The new Zune browser is incredibly constructive, still not as positive as the iPod’s. It functions nicely, however isn’t really as fast as Safari, and incorporates a clunkier interface. If on your own occasionally program on employing the world wide web browser which is not an issue, but if you’re designing to study the world wide web alot towards your PMP then the iPod’s larger show and far better browser could possibly be crucial.

  75. This is starting to be a bit even further subjective, yet I much choose the Zune Marketplace. The interface is colourful, contains a lot more flair, and some cool functions like ‚Mixview‘ that enable oneself quickly perspective very similar albums, audio, or other consumers very similar toward what you are listening toward. Clicking on one particular of these will center on that solution, and a different mounted of „neighbors“ will come into see, permitting your self in the direction of navigate close to exploring by way of very similar artists, songs, or customers. Chatting of end users, the Zune „Social“ is too perfect enjoyable, letting by yourself discover other individuals with shared preferences and starting to be close friends with them. On your own then can pay attention to a playlist built based on an amalgamation of what all your friends are listening in direction of, which is also enjoyable. All those anxious with privateness will be relieved to comprehend by yourself can reduce the community against seeing your unique listening behaviors if on your own therefore decide.

  76. Zune and iPod: Most americans evaluate the Zune toward the Contact, nevertheless at the time viewing how thin and surprisingly low and mild it is, I take into consideration it toward be a instead unique hybrid that combines characteristics of each the Contact and the Nano. It’s extremely colourful and beautiful OLED display is marginally lesser than the contact screen, however the player itself feels fairly a bit scaled-down and lighter. It weighs pertaining to 2/3 as considerably, and is considerably lesser within width and height, even though remaining specifically a hair thicker.

  77. This is starting to be a little bit much more subjective, nevertheless I much desire the Zune Market. The interface is colorful, contains more aptitude, and some cool functions such as ‚Mixview‘ that enable your self all of a sudden watch related albums, new music, or other consumers related toward what you happen to be listening towards. Clicking upon one of individuals will centre on that product, and another established of „neighbors“ will appear into view, allowing by yourself to navigate about investigating as a result of identical artists, songs, or end users. Talking of customers, the Zune „Social“ is as well suitable enjoyment, permitting your self find other people with shared tastes and turning into good friends with them. Yourself then can pay attention to a playlist designed dependent on an amalgamation of what all your friends are listening towards, which is way too exciting. Individuals apprehensive with privateness will be relieved towards realize your self can stay away from the general public towards looking at your specific listening patterns if yourself so select.

  78. What i don’t understood is if truth be told how you’re now not really a lot more smartly-liked than you might be now. You are so intelligent. You recognize therefore considerably with regards to this matter, made me individually consider it from a lot of various angles. Its like women and men don’t seem to be fascinated except it is something to accomplish with Woman gaga! Your own stuffs nice. At all times deal with it up!

  79. Apple now includes Rhapsody as an app, which is a superior commence, but it is at this time hampered as a result of the incapability towards retailer domestically upon your iPod, and consists of a dismal 64kbps little bit price tag. If this changes, then it will somewhat negate this benefit for the Zune, still the 10 songs per thirty day period will nevertheless be a massive furthermore in just Zune Pass‘ like.

  80. Just wanna comment on few general things, The website design and style is perfect, the content is real excellent. „To establish oneself in the world, one has to do all one can to appear established.“ by Francois de La Rochefoucauld.

  81. Zune and iPod: Highest us residents assess the Zune toward the Contact, however the moment viewing how slim and amazingly reduced and mild it is, I check out it toward be a rather special hybrid that combines characteristics of each the Touch and the Nano. It truly is very colourful and magnificent OLED display screen is slightly scaled-down than the touch screen, yet the participant itself feels Extremely a bit smaller and lighter. It weighs pertaining to 2/3 as a great deal, and is noticeably lesser inside width and peak, whilst getting merely a hair thicker.

  82. I am extremely impressed with your writing skills and also with the layout on your blog. Is this a paid theme or did you modify it yourself? Anyway keep up the excellent quality writing, it is rare to see a great blog like this one nowadays..

  83. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  84. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  85. Thank you for your entire hard work on this website. My niece really loves working on investigations and it is easy to see why. Almost all learn all relating to the lively tactic you create both useful and interesting solutions through the website and welcome participation from website visitors about this article so my princess is without a doubt being taught a lot. Have fun with the rest of the new year. You are conducting a really good job.

  86. Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.

  87. Hi, i think that i saw you visited my weblog so i came to “return the favor”.I am attempting to find things to improve my web site!I suppose its ok to use some of your ideas!!

  88. Apple currently incorporates Rhapsody as an app, which is a excellent begin, yet it is previously hampered via the incapability towards keep regionally on your iPod, and contains a dismal 64kbps little bit price. If this variations, then it will to some degree negate this comfort for the Zune, however the Ten tunes per thirty day period will nevertheless be a significant in addition inside Zune Pass‘ choose.

  89. I was curious if you ever considered changing the structure of your website? Its very well written; I love what youve got to say. But maybe you could a little more in the way of content so people could connect with it better. Youve got an awful lot of text for only having one or 2 images. Maybe you could space it out better?

  90. Hello! I know this is kind of off topic but I was wondering which blog platform are you using for this website? I’m getting sick and tired of WordPress because I’ve had problems with hackers and I’m looking at alternatives for another platform. I would be fantastic if you could point me in the direction of a good platform.

  91. I have been browsing online greater than three hours these days, yet I by no means discovered any interesting article like yours. It’s pretty worth enough for me. In my opinion, if all web owners and bloggers made good content as you did, the net can be much more useful than ever before. „Where facts are few, experts are many.“ by Donald R. Gannon.

  92. Hey There. I found your blog using msn. This is an extremely well written article. I will be sure to bookmark it and come back to read more of your useful info. Thanks for the post. I’ll certainly return.

  93. This is having a bit added subjective, still I a great deal desire the Zune Market place. The interface is vibrant, includes more aptitude, and some great characteristics such as ‚Mixview‘ that make it possible for you suddenly watch comparable albums, new music, or other consumers very similar towards what you might be listening towards. Clicking on one particular of all those will heart upon that item, and another fixed of „neighbors“ will occur into view, letting on your own in direction of navigate about studying by means of very similar artists, songs, or users. Conversing of customers, the Zune „Social“ is also Good enjoyment, making it possible for on your own uncover other folks with shared tastes and getting close friends with them. By yourself then can pay attention in the direction of a playlist generated dependent upon an amalgamation of what all your close friends are listening in the direction of, which is additionally thrilling. All those worried with privacy will be relieved in the direction of understand your self can stop the public towards looking at your personal listening behavior if on your own thus acquire.

  94. Great article. It’s very unfortunate that over the last decade, the travel industry has had to take on terrorism, SARS, tsunamis, flu virus, swine flu, and the first ever real global tough economy. Through everthing the industry has really proven to be solid, resilient and dynamic, acquiring new approaches to deal with misfortune. There are constantly fresh troubles and opportunities to which the business must yet again adapt and reply.

  95. Appreciating the time and effort you put into your blog and in depth information you offer. It’s good to come across a blog every once in a while that isn’t the same outdated rehashed information. Wonderful read! I’ve saved your site and I’m adding your RSS feeds to my Google account.

  96. Its like you read my mind! You seem to know a lot about this, like you wrote the book in it or something. I think that you can do with some pics to drive the message home a bit, but instead of that, this is fantastic blog. A great read. I will certainly be back.

  97. These days of austerity plus relative panic about getting debt, lots of people balk against the idea of utilizing a credit card in order to make purchase of merchandise or perhaps pay for a trip, preferring, instead only to rely on the actual tried and also trusted way of making settlement – hard cash. However, if you have the cash available to make the purchase in full, then, paradoxically, that’s the best time to use the credit cards for several factors.

  98. I carry on listening to the news update talk about receiving free online grant applications so I have been looking around for the top site to get one. Could you tell me please, where could i get some?

  99. Hi, i believe that i noticed you visited my site so i came to “return the favor”.I’m attempting to in finding things to improve my website!I assume its good enough to make use of a few of your ideas!!

  100. I think this is among the most important info for me. And i am glad reading your article. But wanna remark on some general things, The web site style is ideal, the articles is really excellent : D. Good job, cheers

  101. I loved as much as you will receive carried out right here. The sketch is attractive, your authored subject matter stylish. nonetheless, you command get got an nervousness over that you wish be delivering the following. unwell unquestionably come more formerly again since exactly the same nearly very often inside case you shield this hike.

  102. If you might be nevertheless on the fence: seize your most loved earphones, intellect down toward a Excellent Get and ask to plug them into a Zune then an iPod and look at which one particular sounds superior towards you, and which interface will make you smile far more. Then you can expect to understand which is specifically for oneself.

  103. Nice blog here! Also your web site loads up very fast! What web host are you using? Can I get your affiliate link to your host? I wish my site loaded up as fast as yours lol

  104. Hello There. I found your blog using msn. This is an extremely well written article. I will be sure to bookmark it and come back to read more of your useful information. Thanks for the post. I will definitely comeback.

  105. You could definitely see your enthusiasm in the work you write. The sector hopes for more passionate writers such as you who aren’t afraid to mention how they believe. At all times follow your heart.

  106. I keep listening to the news lecture about getting boundless online grant applications so I have been looking around for the most excellent site to get one. Could you tell me please, where could i get some?

  107. Nice weblog right here! Also your website quite a bit up fast! What host are you using? Can I get your affiliate hyperlink for your host? I want my website loaded up as fast as yours lol

  108. I do accept as true with all of the concepts you have introduced to your post. They are really convincing and will certainly work. Still, the posts are too brief for beginners. May just you please prolong them a bit from subsequent time? Thank you for the post.

  109. I’ve been browsing online more than 3 hours today, yet I never discovered any interesting article like yours. It¡¦s lovely worth sufficient for me. In my opinion, if all website owners and bloggers made just right content as you probably did, the internet will be a lot more helpful than ever before.

  110. Hi, Neat post. There is an issue with your web site in internet explorer, may test this… IE still is the marketplace chief and a huge component of other folks will miss your wonderful writing because of this problem.

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  112. Hello there, You have done an excellent job. I’ll certainly digg it and in my opinion suggest to my friends. I am confident they will be benefited from this web site.

  113. The new Zune browser is shockingly Excellent, however not as superior as the iPod’s. It performs well, nevertheless isn’t really as quick as Safari, and includes a clunkier interface. If yourself often system on applying the web browser which is not an issue, however if you are coming up with in direction of browse the net alot in opposition to your PMP then the iPod’s greater display and far better browser may perhaps be significant.

  114. You could certainly see your expertise in the paintings you write. The world hopes for more passionate writers such as you who aren’t afraid to mention how they believe. Always go after your heart.

  115. What’s Happening i’m new to this, I stumbled upon this I’ve found It positively helpful and it has helped me out loads. I hope to contribute & help other users like its aided me. Good job.

  116. I would like to express some thanks to you for rescuing me from such a trouble. As a result of searching throughout the world wide web and coming across thoughts which were not beneficial, I believed my entire life was done. Living without the solutions to the issues you have resolved all through your short article is a critical case, as well as the kind which might have in a negative way affected my entire career if I hadn’t come across your web blog. Your main natural talent and kindness in handling all things was helpful. I’m not sure what I would’ve done if I had not come across such a stuff like this. I can at this moment look ahead to my future. Thanks so much for the specialized and results-oriented guide. I will not be reluctant to refer your site to any individual who will need support on this issue.

  117. Hey there! Quick question that’s entirely off topic. Do you know how to make your site mobile friendly? My site looks weird when viewing from my iphone. I’m trying to find a theme or plugin that might be able to fix this issue. If you have any recommendations, please share. With thanks!

  118. Howdy! Someone in my Myspace group shared this site with us so I came to look it over. I’m definitely loving the information. I’m book-marking and will be tweeting this to my followers! Superb blog and great style and design.

  119. I’ll machines this examine in the direction of Two products of us residents: present-day Zune property owners who are thinking about an improve, and These trying towards make a decision among a Zune and an iPod. (There are other gamers worth considering out there, which includes the Sony Walkman X, nonetheless I assume this delivers oneself adequate details to make an mindful conclusion of the Zune vs players other than the iPod line as nicely.)

  120. Excellent goods from you, man. I have understand your stuff previous to and you are just too excellent. I actually like what you have acquired here, certainly like what you’re stating and the way in which you say it. You make it enjoyable and you still take care of to keep it sensible. I cant wait to read far more from you. This is actually a tremendous web site.

  121. Today, I went to the beach with my kids. I found a sea shell and gave it to my 4 year old daughter and said „You can hear the ocean if you put this to your ear.“ She placed the shell to her ear and screamed. There was a hermit crab inside and it pinched her ear. She never wants to go back! LoL I know this is completely off topic but I had to tell someone!

  122. There’s some awesome information here. If more people were aware of this, the world would be a much better place! I can obviously see that you have put a lot of effort into this post. Please keep up the good work; the world deserves it!

  123. You have observed very interesting details ! ps nice website . „The length of a film should be directly related to the endurance of the human bladder.“ by Alfred Hitchcock.

  124. Zune and iPod: Greatest people examine the Zune in direction of the Contact, nonetheless soon after looking at how slender and remarkably small and gentle it is, I get it toward be a very exclusive hybrid that brings together features of both the Touch and the Nano. It is unbelievably vibrant and magnificent OLED display screen is marginally smaller than the touch screen, nonetheless the player alone feels rather a bit smaller sized and lighter. It weighs around 2/3 as considerably, and is noticeably smaller sized in width and height, while remaining exactly a hair thicker.

  125. In between me and my husband we have owned more MP3 players previously mentioned the yrs than I can rely, such as Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the previous several a long time I’ve solved down towards just one line of players. Why? For the reason that I was joyful to find how well-designed and exciting in the direction of seek the services of the underappreciated (and broadly mocked) Zunes are.

  126. Fingers down, Apple’s application retail store wins by a mile. It can be a significant decision of all forms of apps vs a alternatively sad choice of a handful for Zune. Microsoft includes Options, particularly in the realm of game titles, however I am not of course I would need to have to wager on the upcoming if this characteristic is critical towards you. The iPod is a much greater option inside that scenario.

  127. Palms down, Apple’s app shop wins as a result of a mile. It is really a substantial determination of all styles of applications vs a as a substitute unhappy preference of a handful for Zune. Microsoft includes courses, primarily inside of the realm of video games, however I am not positive I would want in the direction of wager upon the future if this portion is vital toward on your own. The iPod is a a lot far better determination inside of that case.

  128. Sorry for the large critique, but I’m rather loving the contemporary Zune, and anticipate this, as well as the Terrific opinions some other These have written, will help you make a decision if it’s the directly decision for your self.

  129. Heya i am for the first time here. I came across this board and I find It truly useful & it helped me out much. I hope to give something back and aid others like you aided me.

  130. You can certainly see your enthusiasm within the paintings you write. The sector hopes for more passionate writers such as you who are not afraid to mention how they believe. All the time follow your heart. „Every man serves a useful purpose A miser, for example, makes a wonderful ancestor.“ by Laurence J. Peter.

  131. The clean Zune browser is incredibly constructive, but not as optimistic as the iPod’s. It will work perfectly, still isn’t really as quick as Safari, and includes a clunkier interface. If you at times system upon getting the world wide web browser which is not an issue, still if you happen to be building in the direction of read through the internet alot versus your PMP then the iPod’s larger screen and improved browser may well be substantial.

  132. Zune and iPod: Greatest humans review the Zune towards the Contact, yet soon after looking at how slender and shockingly minimal and mild it is, I get it in the direction of be a as an alternative distinctive hybrid that combines qualities of both the Touch and the Nano. It is amazingly colourful and lovely OLED exhibit is a bit scaled-down than the contact screen, yet the participant alone feels reasonably a little bit scaled-down and lighter. It weighs more than 2/3 as a great deal, and is drastically smaller sized in just width and top, though staying basically a hair thicker.

  133. obviously like your web-site however you have to take a look at the spelling on several of your posts. Several of them are rife with spelling issues and I find it very bothersome to inform the truth on the other hand I will certainly come again again.

  134. Thanks for your post on the traveling industry. I would also like to include that if you’re a senior contemplating traveling, it truly is absolutely crucial to buy traveling insurance for golden-agers. When traveling, elderly people are at high risk being in need of a healthcare emergency. Receiving the right insurance plan package for the age group can protect your health and provide peace of mind.

  135. This is getting to be a little bit added subjective, nevertheless I considerably like the Zune Market place. The interface is colourful, incorporates additional flair, and some amazing options together with ‚Mixview‘ that allow for your self suddenly perspective related albums, songs, or other end users very similar towards what you’re listening towards. Clicking upon just one of people will heart upon that products, and a further established of „neighbors“ will arrive into watch, allowing for oneself in the direction of navigate in excess of exploring through equivalent artists, tunes, or consumers. Talking of people, the Zune „Social“ is additionally best fun, allowing on your own obtain other folks with shared choices and starting to be pals with them. On your own then can pay attention towards a playlist constructed dependent on an amalgamation of what all your good friends are listening in direction of, which is on top of that fascinating. Individuals worried with privateness will be relieved to notice by yourself can prevent the public against watching your unique listening habits if yourself thus consider.

  136. If you happen to be nonetheless upon the fence: get your preferred earphones, head down in the direction of a Great Obtain and check with towards plug them into a Zune then an iPod and view which just one sounds far better toward your self, and which interface would make oneself smile additional. Then you can recognize which is right for yourself.

  137. Hi, Neat post. There is a problem along with your web site in web explorer, might check this¡K IE nonetheless is the marketplace chief and a good component of people will pass over your magnificent writing because of this problem.

  138. I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)

  139. I have discovered some new points from your website about pcs. Another thing I’ve always imagined is that computer systems have become something that each home must have for many reasons. They provide convenient ways in which to organize the home, pay bills, go shopping, study, tune in to music and even watch television shows. An innovative solution to complete these tasks has been a notebook. These pcs are mobile, small, powerful and easily transportable.

  140. This is taking a little bit excess subjective, nevertheless I considerably choose the Zune Sector. The interface is colourful, contains more flair, and some interesting characteristics like ‚Mixview‘ that enable on your own out of the blue watch equivalent albums, tunes, or other buyers very similar in the direction of what you’re listening towards. Clicking on 1 of those will centre upon that item, and another preset of „neighbors“ will come into watch, letting your self toward navigate around looking into via very similar artists, tunes, or people. Conversing of end users, the Zune „Social“ is furthermore fantastic enjoyable, allowing on your own uncover other individuals with shared tastes and turning out to be friends with them. By yourself then can listen in the direction of a playlist crafted based upon an amalgamation of what all your pals are listening to, which is much too thrilling. Those people anxious with privacy will be relieved in the direction of understand your self can avert the public in opposition to watching your unique listening practices if yourself as a result make your mind up.

  141. Hiya, I’m really glad I have found this information. Nowadays bloggers publish just about gossips and web and this is actually irritating. A good website with interesting content, this is what I need. Thank you for keeping this website, I’ll be visiting it. Do you do newsletters? Cant find it.

  142. Sorry for the enormous critique, nevertheless I’m definitely loving the fresh new Zune, and count on this, as very well as the quality reviews some other folks consist of written, will guidance oneself make a decision if it is the specifically alternative for your self.

  143. I was recommended this website by my cousin. I am not sure whether this post is written by him as nobody else know such detailed about my trouble. You’re wonderful! Thanks!

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