Der böse Wille zur Kunst

Immer wieder höre ich in Gesprächen über Film (oder auch andere Kunst), dass es besonders hervorgehoben wird, wenn sich ein Künstler selbst nicht zu ernst nimmt. Selbstironie, ein Augenzwinkern oder auch einfach nur eine reflexive Selbstrechtfertigung stehen hoch im Kurs. Dagegen wird anderen Filmemachern gerne vorgeworfen, dass sie sich und ihre Arbeit zu ernst nehmen. Dies reicht von Mainstreamregisseuren wie Christopher Nolan oder David Fincher, über vergangene Meister wie Ingmar Bergman, Stanley Kubrick oder Andrei Tarkovsky bis in die Gegenwart mit Filmemachern wie Nuri Bilge Ceylan, Andrey Zvyagintsev, Terrence Malick oder Abdellatif Kechiche. Man wirft diesen Regisseuren dann oft einen Kunstwillen vor. Sie würden mit einem Gestus Filme machen, der von sich aus beansprucht Kunst zu sein und dies wäre nicht gut. Ihnen wird fehlende Ironie (dazu bemerkte Bruno Dumont: „Irony is my optimism“) und eine artifizielle Schwere untersagt. Es scheint in manchen unterhaltungssüchtigen Kopf nicht zu gehen, dass es Menschen gibt, die die Welt anders wahrnehmen, die nicht darauf aus sind ihre Stoffe durch Ironie zu beherrschen. Es irritiert mich, dass Ironie und Humor ein Gütesiegel sind. Ja, es gibt Kunstschaffende, die sich selbst und das Leben allgemein ernst nehmen und das ist sehr gut so. Sie erzählen von einer unangenehmen Schwere, die vielleicht nicht jeder Mensch so wahrnimmt, die es aber gibt und daher auch im Kino geben muss. Ich finde, dass es sie sogar vorzugsweise im Kino geben muss, weil ein Gewicht im Film unseren Blick schärft während ihn Unterhaltung und Leichtigkeit verkommen lassen zwischen all der anderen visuellen Unterhaltung des Alltags (kann man so verallgemeinernd nicht sagen, ist ein Geschmacksurteil). Niemand würde einen Versicherungsangestellten hinterfragen, wenn er seinen Beruf ernst nimmt. Nun mag man einwenden, dass die Ernsthaftigkeit eines Versicherungsangestellten mit Sicherheit bodenständiger ist, während der kunstvolle Filmemacher oft einen abgehobenen Gestus hat. Das stimmt aber schlicht nicht. Keiner der oben genannten Filmemacher entzieht sich der Sachlichkeit und Nüchternheit seines Unterfangens, ganz im Gegenteil sind es Regisseure, die der Ironie, der Provokation oder der surrealistisch beeinflussten Verunsicherung gegenüber der Person des Autors nahestehen, die manchmal drohen ihre Bodenhaftigkeit zu verlieren. Und finden sich nicht gerade in ihrer Radikalität, in ihrer Künstlichkeit Aspekte, die uns aufrütteln, sei es durch Verstörung oder Wahrheit?

Tarkovsky

A.Tarkovsky

Aber was tatsächlich zählt ist doch das Werk. Inzwischen ist es einfach so, dass viele Leute den Glauben (und ich meine das im religiösen Sinne) an den Künstler/Filmemacher verloren haben, weil schlicht jeder glaubt, dass er es selbst kann/könnte. Die Verfügbarkeit sämtlicher Lebensläufe und Arbeitsweisen mit wenigen Knopfdrücken hat dazu ihr Übriges getan. Der Regisseur ist tot. Aber das stimmt ja nicht, denn Begriffe wie „Genie“ sind noch immer en vogue. Ähnlich oft wird von großen Meistern und Werken geschwärmt. Nur ein Regisseur, der in seinem Selbstverständnis ein solcher Meister zu sein scheint, dem schreibt man diese Bezeichnungen besonders gerne ab. Leider geschieht dies häufig sehr voreilig. Denn zum einen gibt es oft Gründe für bedeutungsschwangere Filme, die nicht alleine oder hauptsächlich mit einem Begehren Kunst zu machen zusammenhängen und zum anderen zeigt doch gerade der Umgang mit solchen Filmen, dass man sie am Besten nicht zu früh in irgendwelche Schubladen schiebt. Aber der Schleier der Unzufriedenheit, ob fehlender Verständlichkeit, Hilflosigkeit und Antwortlosigkeit, der fehlende Wille sich als Zuseher an einem Film aufzuarbeiten und die Zeitvernichtungsmaschine des leichteren Kinos bewirken einen imaginierten Willen zur Kunst. Damit meine ich, dass diese fast abwertend als Kunstfilme bezeichneten Arbeiten genauso aufrichtig gemeint sein können, es zumeist auch sind, aber man verzeiht ihnen nicht, weil sie ja aus Prinzip gegen die Zugänglichkeit arbeiteten und aus Prinzip Informationen verweigern würden etc. Dagegen ist es weniger schlimm, wenn ein Film aus Prinzip alle Fragen beantwortet (das ist halt Unterhaltung, so wird das halt gemacht…) und aus Prinzip nicht anstrengt. Diese Ansichten sind mir ein großes Rätsel, sie sind Schwachsinn.

Nun stört es Zuschauer, wenn das Werk selbst eben einen solchen Kunstwillen ausrückt. Ich frage mich warum. Warum wird oft Filmen, die keine Kunst sein wollen, leichter verziehen, als solchen, die es versuchen? Und warum wissen so viele Leute, wann etwas gescheitert ist? Mein Verdacht ist, dass diese Kritiker, Filmfreunde und andersgearteten Zuseher sich hier ihrer eigenen Bequemlichkeit hingeben. Es ist sicherlich so, dass ein mittelmäßiger Film, der sich von Anfang an als solcher zu erkennen gibt, leichter genossen werden kann, aber es ist sicher auch so, dass man Filme nicht ansehen muss, um sich selbst (das passiert bei den meisten dieser Zuschauer) bzw. den Film zu genießen. Aber das ist nun mal die Erwartungshaltung. Langweilen sich Zuschauer im Kino, dann behaupten sie, dass der Film schlecht sei, bauen Zuschauer keine emotionale Bindung zum Geschehen auf, dann behaupten sie, dass der Film schlecht sei. Gerade bewusst künstlerische Filme machen es den Zuschauern nicht leicht, deshalb scheinen gerade sie anfällig für solche Urteile.Man verzeiht Filmen übrigens weitaus leichter, wenn sie eine große Ernsthaftigkeit gegenüber ihren Themen haben, nicht aber gegenüber der Tatsache, dass sie ein Film sind. Warum? Wenn in Deutschland ein Schrei nach Genre laut wird und das Kunstkino der Berliner Schule zur Debatte steht, dann ist das nichts anderes als ein lauter Schrei einer subjektiven Konsumgesellschaft, die weniger über Film nachdenkt als über sich selbst. Ein Bekannter hat mir mal gesagt, dass er als er jünger war auch „das ganze schwere Zeugs“ angeschaut hat, aber irgendwann hat es ihm damit gereicht und er schaut jetzt lieber Unterhaltungskino. Aus seiner subjektiven Sicht mag das mit Sicherheit begründet sein, aber offizielle Statements und Äußerungen von Kritikern und Filmschaffenden in diese Richtung sind bedenklich, denn schließlich ist es das sogenannte Kunstkino das marginalisiert vor sich hin vegetiert, während Unterhaltungskino Menschen ernährt. Ich bin mir bewusst, dass es in der Debatte gerade um Filme ging, die zwischen Festivals und Massenwirksamkeit stehen. Das ist sicherlich ein berechtigter und diskussionswürdiger Punkt, auf den ich in diesem Rahmen nicht näher eingehen will.

Nuri Bilge Ceylan

N.B. Ceylan

Oft verstehen sich Kritiker, die beispielsweise sagen, dass sie sich bei Ingmar Bergman langweilen auch als Revolutionäre. Sie agieren gegen das Kunstkino der großen Festivals, gegen die Ansicht, dass man Kunst und Unterhaltung überhaupt trennen muss (dies tun sie mit Recht, aber aus der falschen Richtung: Warum nicht berechtigterweise argumentieren wie unterhaltsam zum Beispiel Filme von Tarkovsky sind?) und dass sich großes Kino nicht über seinen Anspruch definiert. Nein, Kino ist keine elitäre Kunst, Kino war schon immer auch eine industrielle Kunst, Kino darf laut sein, trashig, plump, einfach und unreflektiert sein. Kino kann aus der Hüfte geschossen werden. Film kann aber genauso gut Ausdruck philosophischer Ideen sein, er kann ein Spiegel sein, eine Lust, Äußerung einer Wut oder Gleichgültigkeit. Er kann eine ästhetisierte Weltsicht verkörpern, er kann über Film sprechen, er kann ein Experiment sein. Film ist alles. Aber zu oft ist diese Haltung ein populistischer Deckmantel. Denn ein an sich nobler Verweis darauf, dass alles möglich ist, darf strenggenommen keine Form von Urteil beinhalten. Wenn Kino alles ist, dann scheint es mir überflüssig positive oder negative Urteile zu fällen. Nach welchen Kriterien geschieht dies? Die Antwort ist wohl so etwas wie Anspruch und Wirklichkeit des Filmemachers, also eine reine Spekulation. Denn wenn man behauptet, dass der Film dieses oder jenes versucht hat, aber es nicht erreicht hat, dann weiß man weder, ob der Film es wirklich versucht hat (selbst wenn man Aussagen der Filmemacher zu Rate zieht), noch kann man bei einem Film jemals von einem Ziel sprechen (es sei denn man spricht über Einspielergebnisse etc). Eine Sackgasse?

Da ist eine Wut in mir, die schwer in klare Worte zu fassen ist. Das Kino blüht noch einigermaßen in einer Zeit des tausend Festivals, der vielen Kinostarts, der unglaublichen künstlerischen Breite und eigentlich gibt es nichts über das man sich beschweren muss. Es ist nur, dass dadurch die allgemeinen Ansichten zum Kino allesamt relativiert werden. Das Kino als Wahrheit ist gestorben, weil es immer eine Gegenwahrheit gibt, ein Fragezeichen, eine Unsicherheit. Und wenn sich dann ein Künstler entblößt und seine Wahrheit darlegt, mit all ihren Schwächen, dann wird diese-insofern sie nicht hier und da selbstironisch gebrochen wird-von anderen Wahrheiten gebrochen und damit wird dem Kino meiner Meinung nach viel von seiner Kraft genommen, die sich eben nicht nur mit Figuren sondern auch den Filmemachern identifizieren kann. Aber in diesen Zeiten glaubt man bereitwilliger einem schönen Tor im Fußball als zwei Stunden oder gar fünf Stunden Kino. Was einem dadurch genommen wird, ist der Rausch einer Weltsicht, die Faszination an Schönheit, die Geduld der Zeit selbst.Vielleicht ist aber nur eine Unschuld in mir gestorben. Ein Anspruch an das Kino, den zu wenige Freunde, Bekannte und Filmmenschen teilen. Ich frage mich, was man ernst meinen sollte, wenn nicht das Kino? Ich frage mich, mit was man versuchen sollte Kunst zu machen, wenn nicht mit dem Kino? Insofern führt diese Sackgasse nur wieder zurück ins Kino.

I.Bergman

I.Bergman

 

 

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Kommentare

  1. Vielen Dank für diese Worte, die mir aus der Seele sprechen. Sie sind wichtig, damit erkannt wird, auch von bornierter Seite, dass es diese Andersdenkenden auch tatsächlich gibt. Letztlich war dieser Kampf nie ein anderer. Auch wenn das so genannte postmoderne Kino den ständigen Augenzwinkerer benötigt, der nicht nur die eigene Struktur hinterfragt/verrät, sondern damit versucht zu einer Interaktion mit dem Rezipienten zu führen, die ihm stärker das Gefühl gibt, am Film, seine Entstehung gar, beteiligt zu sein, so wird auch dies nur eine Phase sein, die abklingt. Die Masse selbst war nie anders, ihr Umgang mit Kunst im Kino, mit Kunst in Filmen, schon immer beschränkt, weil es eben „die Masse“ ist. Menschen in Gruppen denken und verhalten sich anders, als allein oder in einem ausgewählten Dunstkreis. Kino wird immer wieder daran gemessen, was die Masse „denkt“. Gottseidank ein Element temporären Charakters.

  2. markus brandstätter (K F)

    ach und es gibt richtiggehend schlechte filmfestivals und menschen die dahinter stehen _ aber da ich mich gerade wieder befreit habe, habe ich natürlich vorurteile; ich will eine kleine geschichte erzählen: Markus mit seinem musiker und komponisten Wolfgang wurden ins Krastal eingeladen um in der abgeschiedenheit der Einöde ein filmexperiment zu gestalten und nebenher einen workshop abzuhalten; wunderschöner 200 millionen alter marmor; der film entsteht; samstag tag der vorführung; anwesend waren: ein musikwissenschaftler, künstler der Sezesion Wien und leute vom [kunstwerk]krastal usw. und natürlich freunde der bildhauerei (menschen die Michelangelo und seine arbeiten in ihr herz geschlossen haben) … ein besucher betreibt ein filmfestival — mein experiment hatte zu besagtem zeitpunkt eine länge von ungefähr 14 minuten _ der filmvestival mensch kam zu mir, musste scheinbar unbedingt etwas los werden, und meinte, klassische überlänge … den besuchern hat der film sehr sehr gut gefallen und es ergaben sich wunderbare gespräche und einladungen nach wien, besuche nach graz, st. pölten, verbrüderungen, gespräche usw… und biere … nach wie vor unverständnis meinerseits … ich erzähle dies nur deshalb, weil ich auf etwas hinweisen möchte, nämlich photogėnie, ein begriff den Jean Epstein prägte; er verweist unter anderem auf die möglichkeit über filmbilder hinaus zu transzendieren – das ist nicht einfach nur spass und gaudium; für Epstein ist Kino wahrheit; der begriff dient aber auch um zu unterscheiden – zwischen film als kunstform und film als geschichtenmedium _ auch ist der begriff noch viel komplexer angelegt … wer sich grundsätzlich einer solchen möglichkeit der kinematographie verschließt, hat, auch wenn er einen film nacherzählen kann, und nach belieben interpretieren kann, und darüber schreiben und schwafln kann, – keine wirkliche ahnung davon, was die kinematographie in der lage ist zu leisten ::: da stehen wir nun _ danke für den schönen text – der mir wahrlich aus dem herzen spricht <3 und auch einwenig zorn beinhaltet 🙂

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  56. The Zune concentrates on remaining a Moveable Media Player. Not a web browser. Not a video game machine. Quite possibly within the potential it will do even better in just people areas, still for currently it truly is a fantastic way in direction of prepare and pay attention to your tunes and films, and is without the need of peer inside of that respect. The iPod’s positive aspects are its world-wide-web viewing and applications. If these stable a lot more compelling, possibly it is your least difficult decision.

  57. Sorry for the significant research, however I am seriously loving the fresh new Zune, and anticipate this, as well as the quality testimonials some other All those comprise prepared, will help by yourself come to a decision if it is the directly choice for you.

  58. Greetings from Ohio! I’m bored at work so I decided to browse your site on my iphone during lunch break. I really like the information you present here and can’t wait to take a look when I get home. I’m surprised at how fast your blog loaded on my phone .. I’m not even using WIFI, just 3G .. Anyways, wonderful site!

  59. The Zune concentrates on currently being a Portable Media Player. Not a website browser. Not a match machine. Possibly in just the future it’s going to do even improved in people areas, still for presently it’s a fantastic route toward organize and listen in direction of your music and movies, and is with out peer inside that respect. The iPod’s advantages are its website viewing and purposes. If all those good even further compelling, possibly it is your perfect final decision.

  60. The Zune concentrates on getting a Transportable Media Player. Not a web browser. Not a sport machine. Potentially within the long term it’ll do even far better within individuals areas, yet for presently it is really a fantastic path in direction of set up and pay attention towards your music and flicks, and is without having peer within that regard. The iPod’s advantages are its world wide web traveling to and programs. If individuals reliable further more compelling, perhaps it is your least complicated decision.

  61. Sorry for the large review, nonetheless I am truly loving the clean Zune, and assume this, as perfectly as the high-quality testimonials some other us residents include prepared, will assist yourself make your mind up if it really is the straight option for oneself.

  62. The contemporary Zune browser is shockingly Wonderful, nonetheless not as beneficial as the iPod’s. It functions perfectly, yet isn’t as instant as Safari, and consists of a clunkier interface. If your self occasionally system on making use of the internet browser that’s not an issue, still if you’re creating towards read the world wide web alot from your PMP then the iPod’s larger sized display screen and better browser may possibly be substantial.

  63. This is having a bit extra subjective, but I a great deal choose the Zune Current market. The interface is vibrant, has further more aptitude, and some cool features which includes ‚Mixview‘ that make it possible for yourself abruptly see comparable albums, tunes, or other people identical toward what you are listening toward. Clicking upon a person of these will heart upon that product, and a further set of „neighbors“ will occur into viewpoint, allowing your self in the direction of navigate over investigating by means of very similar artists, audio, or end users. Conversing of customers, the Zune „Social“ is on top of that great exciting, allowing for oneself track down many others with shared tastes and getting good friends with them. By yourself then can listen toward a playlist designed dependent upon an amalgamation of what all your close friends are listening in the direction of, which is on top of that interesting. Individuals concerned with privacy will be relieved to realize you can stay away from the community towards observing your person listening behavior if on your own hence come to a decision.

  64. Wow, fantastic weblog layout! How lengthy have you ever been running a blog for? you make running a blog glance easy. The whole glance of your website is great, let alone the content material!

  65. If you are nevertheless upon the fence: seize your favourite earphones, head down towards a Great Obtain and talk to towards plug them into a Zune then an iPod and watch which just one sounds improved toward your self, and which interface would make yourself smile even further. Then you’ll recognize which is instantly for yourself.

  66. Great website. Lots of helpful information here. I am sending it to a few friends ans additionally sharing in delicious. And obviously, thanks to your sweat!

  67. Usually I do not learn article on blogs, but I wish to say that this write-up very forced me to try and do it! Your writing taste has been amazed me. Thank you, quite great article.

  68. Normally I do not read article on blogs, but I wish to say that this write-up very pressured me to check out and do so! Your writing taste has been surprised me. Thank you, very nice article.

  69. Concerning me and my spouse we have owned much more MP3 players in excess of the yrs than I can rely, which include Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the ultimate few decades I’ve fixed down in the direction of just one line of avid gamers. Why? Due to the fact I was happy toward discover how well-designed and pleasurable in direction of use the underappreciated (and extensively mocked) Zunes are.

  70. Hello just wanted to give you a quick heads up and let you know a few of the images aren’t loading properly. I’m not sure why but I think its a linking issue. I’ve tried it in two different internet browsers and both show the same outcome.

  71. If you are continue to upon the fence: seize your most loved earphones, mind down in direction of a Ideal Order and talk to in direction of plug them into a Zune then an iPod and watch which one particular appears superior toward oneself, and which interface generates your self smile much more. Then you can expect to notice which is right for you.

  72. Have you ever thought about publishing an e-book or guest authoring on other blogs? I have a blog based upon on the same information you discuss and would really like to have you share some stories/information. I know my audience would enjoy your work. If you’re even remotely interested, feel free to send me an e mail.

  73. Excellent website you have here but I was curious about if you knew of any community forums that cover the same topics talked about here? I’d really love to be a part of group where I can get suggestions from other knowledgeable people that share the same interest. If you have any suggestions, please let me know. Appreciate it!

  74. This unique blog is obviously interesting additionally amusing. I have chosen helluva useful tips out of this source. I ad love to come back again and again. Thanks!

  75. If you happen to be even now upon the fence: seize your favorite earphones, mind down toward a Best Invest in and ask towards plug them into a Zune then an iPod and watch which just one appears greater in direction of yourself, and which interface helps make yourself smile extra. Then you can expect to comprehend which is specifically for by yourself.

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