Approved by Lanzmann: Sobibor, 14 octobre 1943, 16 heures von Claude Lanzmann

Außer dem unlängst erwähnten Saul fia, war in Hamburg noch ein weiterer Film über den Holocaust zu sehen. In A Nazi Legacy: What Our Fathers Did werden Horst von Wächter und Niklas Frank, Söhne ranghoher NS-Beamter, mit ihrer Vergangenheit konfrontiert. Während Frank seinen Vater für seine Taten als Generalgouverneur von Polen verurteilt, weigert sich Wächter seinen Vater, den er als liebendes Familienoberhaupt in Erinnerung hat, als Monster abzustempeln. Wenig raffiniert spielt der Film die beiden gegeneinander aus und über die zunächst ambivalenten Beziehungen zwischen Vater und Sohn wird schon bald geurteilt. Mit Fortdauer des Films wird Wächter immer mehr antagonisiert; schließlich wird das komplizierte Geflecht aus Emotionen, Gedächtnis und moralischer Verantwortung schlicht in Gut (Niklas Frank) und Böse (Horst von Wächter) eingeteilt. Den Wendepunkt in der Inszenierung stellt der Besuch eines Veteranentreffens einer SS-Hilfseinheit in der Ukraine nahe Lemberg, dem ehemaligen Arbeitsplatz von Vater Wächter, dar. Dort wird der Sohn des ehemaligen Gouverneurs von Galizien von den Veteranen und den Sympathisanten herzlich willkommen geheißen. Unter ihnen sind jene, mit NS-Insignien geschmückten, ukrainischen Ultranationalisten die während der Maidan-Proteste in den Fokus der Weltöffentlichkeit getreten sind. Der Film verzichtet jedoch zugunsten einer eindeutigeren Dramaturgie, weitestgehend darauf diesen Bezug herzustellen, beziehungsweise die Rolle der ukrainischen Nationalisten im Zweiten Weltkrieg und in der Sowjetunion überhaupt, näher anzusprechen. Eine nicht zu verachtende Anzahl anti-russisch eingestellter Ukrainer hatte sich in den Kriegsjahren in den Dienst Hitlers gestellt, mit der Aussicht mit einer freien und unabhängigen Ukraine belohnt zu werden. Diese Männer verrichteten Hilfsarbeiten für die SS, ukrainische Wachmänner versahen zum Beispiel im polnischen Vernichtungslager Sobibor Dienst. Auch an jenem 14. Oktober 1943, als dort ein Aufstand der Gefangenen glückte, dem Claude Lanzmann ein filmisches Denkmal setzte.

Sobibor, 14 octobre 1943, 16 heures von Claude Lanzmann

Sobibor, 14 octobre 1943, 16 heures beruht, wie der Großteil von Lanzmann Filmschaffen, auf seinen Recherchen zu Shoah. Im Zuge der Arbeiten für sein monumentales Epos interviewte er 1979 in Haifa Yehuda Lerner, einen der wenigen Überlebenden des Aufstands von Sobibor. Obgleich das Lager selbst im Film vorkommt, lässt Lanzmann keines der Opfer zu Wort kommen; die rund zehn Stunden Material mit Lerner behält er jahrelang in Evidenz, bis 2001 Sobibor, 14 octobre 1943, 16 heures erscheint. Der gebürtige Warschauer Lerner war nach acht Ausbruchsversuchen aus verschiedenen Arbeitslagern, im Minsker Ghetto in eine Gruppe jüdisch-sowjetischer Kriegsgefangener geraten. Mit dieser Gruppe wurde er ins Vernichtungslager Sobibor transportiert, wo er sich als einer von 60 der über tausend Männer zum Arbeitsdienst meldete und so dem Tod entging. In für Lanzmann typischen, langen Interviewpassagen, die nur durch die Übersetzungen der Dolmetscherin unterbrochen werden, erzählt Lerner von den Vorbereitungen und der Durchführung des Aufstands. Im Vergleich zu Shoah hat sich das strenge formale Gerüst in Sobibor, 14 octobre 1943, 16 heures mittlerweile ein wenig verändert. Allein deshalb, weil Lanzmann auf ein Interview zurückgreift, dass zum Zeitpunkt der Produktion schon über zwanzig Jahre alt ist. Diese Aufnahmen von 1979 konfrontiert er mit aktuellen Bildern aus Warschau und Sobibor. Der Film endet mit einer Liste der Transporte aus den verschiedenen Teilen des Reiches, die Lanzmann selbst vorliest. Trotz allem bleibt der Franzose in formaler Hinsicht ein radikaler Purist. Er arbeitet ohne Archivaufnahmen, ohne gesprochene Kommentare, lehnt Rekonstruktionen ab, denn was damals geschah, könne man ohnehin nicht durch solche Mittel fassbar machen. Stattdessen lässt er Zeitzeugen zu Wort kommen; oral history nennt das der Fachmann. Die Wirkung von Lanzmanns Filmen liegt einerseits an seiner meisterhaften Interviewtechnik, einem stetigen Nachbohren und Nachhaken, das jedoch nie aufdringlich oder aggressiv wird, und kluger Montageentscheidungen, die zahllose Stunden Rohmaterials in eine geglättete, kohärente und stringente Form bringt. Lanzmanns Filme sind massive Zeugnisse unvorstellbarer Ereignisse und zweifellos meisterhafte Werke der Kunstgattung Film, doch der Mythos, der sich mittlerweile um die Person Lanzmann rankt ist problematisch. Wenn junge Regisseure wie László Nemes bei Lanzmann vorstellig werden, um sich Absolution erteilen zu lassen und das Urteil des alten Meisters dann als Adelsprädikat – approved by Lanzmann – mit sich herumtragen, dann hat das einen faden Beigeschmack. Lanzmann hat sich seine Position als (filmischer) Doyen in Holocaustfragen, durch seine jahrelange mühevolle Recherche und die akribische Arbeit am Material erworben, doch seine zweifelhafte Rolle als Moralapostel rechtfertigt sie nicht. Kürzlich war Marcel Ophüls mit seinem Film The Memory of Justice in Wien zu Besuch. Ophüls hat wie Lanzmann lange Jahre seines Lebens mit der filmischen Aufarbeitung des Holocausts verbracht, doch im Gegensatz zu Lanzmann, hat ihn diese Arbeit nicht gleichermaßen verhärten lassen. Ophüls, so mein Eindruck, hat nie verlernt neue Wege zu gehen und neue Perspektiven zuzulassen, bei Lanzmann fehlt mir dieses Gefühl.

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  75. I’ll tools this research in the direction of Two patterns of people in america: recent Zune homeowners who are taking into consideration an upgrade, and persons making an attempt toward choose between a Zune and an iPod. (There are other avid gamers really worth taking into consideration out there, like the Sony Walkman X, nonetheless I anticipate this features on your own enough information in the direction of make an informed alternative of the Zune vs gamers other than the iPod line as properly.)

  76. Pretty nice post. I just stumbled upon your weblog and wished to say that I have truly enjoyed browsing your blog posts. In any case I will be subscribing to your feed and I hope you write again very soon!

  77. Wow! This can be one particular of the most helpful blogs We have ever arrive across on this subject. Basically Wonderful. I am also an expert in this topic therefore I can understand your hard work.

  78. Concerning me and my husband we have owned much more MP3 players above the a long time than I can count, such as Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etcetera. But, the previous few decades I’ve settled down towards just one line of gamers. Why? Since I was delighted in the direction of examine how well-designed and enjoyable in direction of employ the underappreciated (and greatly mocked) Zunes are.

  79. Some genuinely fantastic content on this web site, appreciate it for contribution. „When he has ceased to hear the many, he may discern the One – the inner sound which kills the outer.“ by H Hahn Blavatsky.

  80. magnificent points altogether, you just gained a brand new reader. What would you suggest about your post that you made a few days ago? Any positive?

  81. Sorry for the massive review, still I’m Pretty loving the fresh Zune, and anticipate this, as nicely as the perfect testimonials some other us citizens include prepared, will aid you decide if it can be the immediately final decision for you.

  82. Very interesting details you have observed , regards for posting . „History is a cyclic poem written by Time upon the memories of man.“ by Percy Bysshe Shelley.

  83. I’ve been exploring for a bit for any high quality articles or blog posts on this kind of area . Exploring in Yahoo I at last stumbled upon this web site. Reading this information So i am happy to convey that I’ve a very good uncanny feeling I discovered exactly what I needed. I most certainly will make sure to do not forget this website and give it a look regularly.

  84. Apple by now consists of Rhapsody as an application, which is a great start off, however it is at this time hampered as a result of the lack of ability to retail outlet domestically upon your iPod, and contains a dismal 64kbps bit cost. If this changes, then it will to some degree negate this usefulness for the Zune, but the Ten music per thirty day period will still be a large additionally in just Zune Pass‘ like.

  85. Fantastic beat ! I wish to apprentice while you amend your web site, how could i subscribe for a blog site? The account helped me a acceptable deal. I had been a little bit acquainted of this your broadcast provided bright clear idea

  86. Amongst me and my husband we’ve owned much more MP3 gamers above the yrs than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the remaining couple many years I’ve fixed down toward one line of gamers. Why? Simply because I was joyful toward take a look at how well-designed and enjoyment in the direction of seek the services of the underappreciated (and commonly mocked) Zunes are.

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